The Oscar nominations are in and “Hamilton” creator Lin-Manuel Miranda is in the running for best Original Song. Miranda wrote the music and lyrics for the song “How Far I’ll Go,” from the animated movie “Moana.”
This puts Miranda in the admirable position of being one win away from getting an EGOT: an Emmy, Grammy, Oscar and Tony. Actress Rita Moreno is the first Latina actress to get all 4.
He already has an Emmy Award for Outstanding Original Music and Lyrics for production of the 67th Tony Awards; two Grammy Awards for Best Musical Theater Album for “In the Heights” and “Hamilton;” and three Tony Awards for “In the Heights” and “Hamilton.” He also has a Pulitzer Prize.
Miranda will be competing for his Oscar against songs from the movies “La La Land,” “Trolls” and “Jim: The James Foley Story.”
If Miranda wins this year he’ll become the youngest person to win all four awards in competitive categories. Miranda is 37. The current youngest is Robert Lopez, who completed his EGOT with an Oscar in 2014 for co-writing “Let It Go” from the movie “Frozen.”
Wearing a sultry look on his face and a long, curly gray wig, Genaro Rangel pulled his fake hair out of a ponytail and whipped it dramatically over his shoulders.
“¡Qué pasó!” exclaimed Rangel, a burly, mustachioed handyman, as he yanked off the wig in his Santa Ana dining room. “It’s me!”
Genaro Rangel wears a wig and dances with his daughter Wendy on their porch in Santa Ana. (Gina Ferazzi / Los Angeles Times)
His daughter, Wendy, burst into giggles as she recorded a shaky cellphone video for TikTok while her dad did an off-tune impersonation of Mexican legend Marco Antonio Solis, aka “El Buki.” She would post it with the words, “I’m dead,” and the hashtag #mexicandadsbelike.
Wendy Rangel, 22, often films her father, a natural jokester originally from the Mexican state of Baja California, because he does not mind making himself the butt of a joke on a social media app that he barely understands. If it makes his daughter happy? He’ll do it. Enthusiastically.
Rangel is one of a growing number of middle-aged Latino dads making appearances on TikTok, the app best known for its goofy teen videos. From papis strutting in heels and a crop top to apás joining in on skits to papás jokingly swearing in their accented English, Latino dads are racking up the likes and views from users who see their own families reflected in the short, often candid clips.
“People don’t really see this side of their dads,” Wendy Rangel said. “Most dads don’t like being recorded and they’re more protective about what people think about them. My dad doesn’t have a filter. He doesn’t care about being tough. He just likes being himself.”
And the comments under her videos, like, “Your dad reminds me a lot of mine,” and “I swear Mexican dads are straight up comedy” are proof that others relate.
These TikTok dads defy the stereotype of the machista Latino father, and their growing presence on the app shows a cultural shift within immigrant families, said Alexandro Gradilla, a professor of Chicano Studies at Cal State Fullerton.
Although there is a traditional culture of respect tied to family life in Mexico and Latin America — often embodied by the use of the more formal Spanish-language pronoun “usted” over “tú” when referring to parents — the videos highlight a type of fatherhood that is more open and lighthearted, Gradilla said.
Members of the Congressional Hispanic Caucus are nominating 25 films highlighting the experiences of Latinos in the U.S. for inclusion in the National Film Registry.
The nominations are part of growing efforts to fight Latino underrepresentation in Hollywood, Reps. Raul Ruiz, D-Calif., and Joaquin Castro, D-Texas, said in a letter to Librarian of Congress Carla Hayden on Tuesday.
Some of the nominated films are Julie Taymor’s 2002 biographic film “Frida,” starring Salma Hayek as the legendary Mexican artist Frida Kahlo, and Edward James Olmos’ 2006 film “Walkout,” based on the true story of the 1968 East Los Angeles high school walkouts, starring Michael Peña and Alexa Vega.
Some delve into Latin American politics or history, such as the 1989 film “Romero,” with the late actor Raúl Juliá, about the assassination of Salvadoran Archbishop Oscar Romero by right-wing death squads, which preceded a long civil war.
Other movies focus on family and culture, such as María Ripoll’s 2001 film “Tortilla Soup,” starring Hector Elizondo as a retired chef who insists that his three adult daughters gather every Sunday for family dinner. Also on the list is Alfredo De Villa’s 2008 film “Nothing Like the Holidays,” starring Alfred Molina, Elizabeth Peña, and John Leguizamo, which depicts an extended Puerto Rican family’s Christmas holiday gathering in Chicago.
“The National Film Registry’s very existence speaks to the importance of film in American culture and society. Hollywood is the main image-defining and narrative-producing industry in the United States. As you know, Latinos remain dramatically underrepresented in this influential industry, contributing to the misperceptions and stereotypes about Latinos in our society,” the lawmakers said in their letter to Hayden.
“When we cannot tell our stories, others will tell stories about us — we believe this is a significant factor motivating ongoing anti-Latino sentiment in American society, one which negatively impacts Latinos in all aspects of society, from immigration law to the education system to the current public health crisis,” the letter reads.
The 78th Golden Globe Awards kicked off Sunday night after being delayed for nearly two months by the coronavirus pandemic. “Nomadland” won the award for best drama film and “Borat Subsequent Moviefilm” won best comedy film. Andra Day won the best actress in a drama for “The United States vs. Billie Holiday” and Chadwick Boseman posthumously received the award for best actor in a drama for what became his final movie role in “Ma Rainey’s Black Bottom.”
Chloé Zhao, who helmed “Nomadland,” became only the second woman ever to win best director. Jane Fonda received the Cecil B. DeMille Award and Norman Lear became the third ever recipient of the Carol Burnett Award.
Amy Poehler and Tina Fey hosted the bicoastal virtual ceremony, with Fey presenting from the Rainbow Room in New York City and Poehler hosting from The Beverly Hilton in California, where the awards ceremony is traditionally held.
Netflix led the pack with a whopping 42 nominations. “Mank,” the streaming service’s film about “Citizen Kane” screenwriter Herman Mankiewicz, received the most nominations of any film this year with six, although it failed to win any of those awards. Netflix’s “The Crown” also garnered six nominations, the most for any television series this year as well. The historical drama took home awards for best drama, best actress, best actor and best supporting actress.
Best Television Series — Drama
“The Crown” — Winner
Best Television Series — Musical or Comedy
“Schitt’s Creek” — Winner
“Emily in Paris”
“The Flight Attendant”
Best Television Limited Series, Anthology Series or Motion Picture Made for Television
“The Queen’s Gambit” — Winner
Best Performance by an Actress in a Television Series — Drama
Emma Corrin, “The Crown” — Winner
Olivia Coleman, “The Crown”
Jodie Comer, “Killing Eve”
Laura Linney, “Ozark”
Sarah Paulson, “Ratched”
Continue to CBS News for the full list of nominees and winners.
“I’ve had so much to say over the past two years, wanting to set the record straight about what it was that happened,” she says in the trailer for the four-part documentary, which debuts March 23. The trailer dropped Wednesday during the virtual Television Critics Assn. press tour.
“FYI, I’m just going to say it all, and if we don’t want to use any of it, we can take it out,” the “Confident” singer adds. “Any time that you suppress a part of yourself, it’s gonna overflow.”
Lovato, 28, who has publicly struggled with her sobriety and physical and mental health, revealed in the trailer that she’d had three strokes and a heart attack. She said her doctors told her she had “five to 10 more minutes” to live when she was hospitalized for two weeks before entering an in-patient rehab facility.
She survived, of course, and told interviewers that, like her cat, she’d had a lot of lives and now she was on her “ninth life.”
In a video call Wednesday, Lovato told the Associated Press that she still was dealing with the effects: “I don’t drive a car because I have blind spots in my vision. For a long time, I had a really hard time reading. It was a big deal when I was able to read a book, which was, like, two months later, because my vision was so blurry.”
But her endurance is surprising to those around her.
Continue on to the LA Times to read the complete article.
If you are familiar with Jake T. Austin at all, you probably recognize him as sandwich-loving Max Russo on Disney Channel’s Wizards of Waverly Place.
As the family friendly wholesomeness of that role and subsequent roles suggests, Austin most certainly found a lane. But to say Austin is a “child actor” is a disservice to all the other things Austin is.
Austin is a voice actor, a television and film actor, and philanthropist who is dedicated to getting Latinos the representation they deserve in the entertainment industry and beyond.
If anything, he is a Jake of all trades.
“I started performing when I was really young,” Austin says. “I was in a skit when I was 4 years old…and it just so happened that skit was on The David Letterman Show.”
Austin was born Jake Austin Szymanski in New York to his Puerto Rican mother, Giny Rodriquez Toranzo, and his Polish/Irish father, Joe Szymanski.
Austin followed his debut on late-night television with a voice role of Diego on three episodes of Nickelodeon’s animated series, Dora the Explorer, which led to his breakthrough role of Diego on the subsequent spin-off series, Go Diego Go!
Austin was only 10 years old when he worked on the Go Diego Go! series, but the fact that he was playing a title character that was also a person of color isn’t lost on him.
“Thinking back to when the show premiered in 2005, conversations about race weren’t as pronounced in mainstream media like they are in 2021,” says Austin. “Now I understand that kids in the Hispanic community could see a person that ‘looked like them.’”
Austin says the visibility of a character like Diego is important for non-Spanish speaking viewers, too.
“To Anglo-European households, they could have their eyes opened
to other ethnic groups that may not be prevalent in their own schools or neighborhoods,” he says.
Diego was a bilingual character, and the show borrowed from the Dora format by sprinkling Spanish words into the English-language TV show.
“In 2018, studies estimated that 20–27 percent of the U.S. population were bilingual. So, think about 2005 and how unusual it must have seemed to have the hero be a person who spoke English and Spanish,” says Austin. “Diego was such a positive character: rescuing animals and talking about environmental issues. It’s humbling to have been an instrumental part of that show.”
The work the show was doing didn’t go unnoticed.
The series was commended for its bilingual Latino lead character and earned four NAACP Image Award nominations for “Outstanding Children’s Program” from 2008 to 2012.
Austin didn’t go unnoticed either.
He earned nominations for the Imagen Award and Young Artist Award for his role.
“It was such a great experience, and the show is still on the air on streaming platforms and people tell me how much they’ve learned from watching it,” he says.
He followed his success in voice work with a role on Disney Channel’s Wizards of Waverly Place, alongside a young Selena Gomez and David Henrie. The series, which followed three wizard siblings with magical powers, ran for four seasons and earned an Emmy in the category of “Outstanding Children’s Program” in 2009. When the show ended in 2012, an estimated 11.3 million viewers tuned in to watch the one-hour series finale, making it the most-watched finale for a Disney Channel Original Series.
Austin’s character, Max Russo, had a known Hispanic heritage and his mother (played by Maria Canals-Barrera) often tried to get the kids to learn about their Latino heritage.
Austin continued to juggle voice and acting work, and in 2009, he starred in the film, Hotel for Dogs opposite Emma Roberts. In 2011, Austin voiced Fernando, an orphaned Brazilian boy, in the animated feature films Rio and Rio 2 from 20th Century Fox. That same year, he was cast in the film New Year’s Eve, directed by rom-com veteran Garry Marshall. In 2017, Austin voiced the character of Alex in The Emoji Movie.
Balancing the two professions of actor and voice actor isn’t difficult for Austin. He sees both as forms of storytelling, which he takes very seriously.
“Performing is an experience that, in some ways, is hard to articulate,” he says. “You’re taking words on a page and creating a walking, breathing character that the viewer experiences.”
And when he straddles the two occupations, Austin isn’t just working to establish himself as multifaceted. He is also hoping to help audiences see the Latino community as more than just one homogeneous group.
“I think the biggest stereotype about the Hispanic community would be the notion that we are a monolith,” says Austin. “People whose familial line is from Cuba are different than people with experiences from Peru, who is different from people in Argentina.”
Austin says pushing for more diversity in the storytelling we see in entertainment is critical.
“I’m a big believer in people sharing their stories and learning about other cultures, and the change I would like to see is more micro-communication of information about specific countries and regions, and not painting all Latinos with an overly broad and singular brush.”
And that can start with expanding the roles we see as “Latino characters.”
“I think about the movie New Year’s Eve,” he says, “I played the love interest of Abigail Breslin. She’s Caucasian and also a totally nice person and terrific actress. But the role I played wasn’t written as a ‘Latino’ boyfriend, per se.”
Just because a character isn’t defined as being a person of color doesn’t mean a person of color can’t play them.
“Across any realm, my message to the person in charge of casting in a movie, a hiring manager in an office or an authority figure in a medical building: Be conscious and go beyond your possible racial bias,” he says. “When there is a person in front of you, think about their skillset, enthusiasm and dedication. Freeing the candidate of the hiring person’s preconceived ethnic/racial assumptions would be the ultimate equalizer.”
During election season, many critics noted the way the Latino vote was courted by both parties, either by engaging with Latino voters as a stereotyped culture, or worse, not at all.
Austin worked to impart the importance of the Latino vote by working with Voto Latino, a grassroots political organization focused on educating and empowering young Latinx voters.
“Voting is a fundamental of our constitutional republic and people, especially young people, should learn about the issues and make their voice heard at the ballot box,” says Austin.
He chose to align with the non-partisan organization because of how they encourage Latinos to exercise their rights and promote election-related engagement, like volunteering at the polling place.
“Regardless of race, we are Americans. So I think it’s great that Voto Latino is increasing awareness about the importance and the process of voting.”
When it comes to philanthropy, Austin says it’s about deciding what you are passionate about and committing to being a part of the change you want to see.
“I encourage people to think about causes that are important to them and see how they can get involved,” he says.
As a young person himself, Austin says youth-based services are close to his heart.
“My Friend’s Place is a great organization in Hollywood whose
mission is to end youth homelessness,” Austin says of the organization that serves 1,400 young people a year.
“I’ve also been active with the Boys & Girls Clubs, which operates over 4,000 clubs nationwide.”
At the start of the 20/21 school year, Austin paid a visit to the Boys and Girls Club Pasadena Slavik branch, which is located near Los Angeles.
“Many schools in Los Angeles County have been closed due to COVID and parents rely on those schools to provide child supervision while they’re at work,” Austin says. “BGC Pasadena has stepped up with a renovation to their facility that was funded by The Ahmanson Foundation, Helen and Will Webster Foundation, Pasadena Community Foundation, and Sahm Family Foundation.”
The updated Boys & Girls Club has structural improvements, computers for learning and homework assistance programs.
“COVID has disrupted many lives, and for kids, going to school is so central to learning and social interaction. It’s awesome that the Boys & Girls Clubs provides resources while we all get through this.”
Austin’s new film, Adverse, was pushed back from a September 2020 theater release to January 2021. Adverse will also be on Digital, On Demand and DVD on March 9.
Adverse is set in current day Los Angeles and tells the story of a rideshare gone wrong, and also stars Mickey Rourke, Lou Diamond Phillips and Sean Astin.
“It was great to work and learn from such experienced actors,” says Austin.
The film also addresses the effects of the opioid epidemic, another health crisis gripping America today.
“For me, the takeaway from the movie is that drug addiction affects the user and also their loved ones,” says Austin. “Prior to doing this movie, I didn’t especially think about the ripple effect that addiction has on the people around the addict. And with the opioids epidemic sweeping across the US, I think it’s the familial facet of that struggle that should be brought more into the light.”
Singer and songwriter Shakira ringed in her 44th birthday on February 2 and since morning her excited fans have been trending her name on Twitter.
Columbian singer and songwriter Shakira celebrated her 44th birthday on February 2 and since morning her excited fans have been trending her name on microblogging site Twitter. Scores of her fan and followers have been pouring in their love with beautiful messages and warm wishes. The three-time Grammy award winner has been one of the most popular singers worldwide and fans often call her “Queen” of Latin music.
Shakira shares birthday with boyfriend Piqué
Interestingly, Shakira and her boyfriend Gerard Piqué’s birthday fall on the same date. Sharing their love for the melody queen and her boyfriend, who is a legendary Spanish footballer, her fans were quick enough to share messages of love and respect on social media. One of the users shared her picture with her boyfriend Gerard Piqué and wrote, “And happiest birthday to Shakira.” Another user recalled one of her iconic shows that she conducted last year while extending his wishes.
Shakira receives love from fans
Sharing the memory on the special day, he wrote, “Wow ONE year ago she gave us one of the best half-time shows ever! You always will be our best gift, Shakira.” A third user chimed in and shared a gorgeous throwback picture of the Waka Waka singer from one of her vacay and wrote, “The most talented, artistic and creative person in the world Happy birthday Queen.” Another die-heart fan of the singer echoed similar sentiments and wrote, “Happy birthday to the most important person in my life!!!.@shakira.Thanks for being an inspiration, love, and an example that dreams are fulfilled with effort and perseverance!!.Thanks for teaching me love and keeping me sober!!. 44 years, many stories and a single Goddess.”
“Latinos have been left out of the representation of American culture,” says U.S. Rep. Joaquin Castro, who hopes the effort will correct their depiction.
Mexican American filmmaker Gregory Nava’s 1997 movie “Selena” has been nominated for inclusion in the National Film Registry by members of the Congressional Hispanic Caucus as the group ramps up its efforts to eradicate “the film industry’s continued exclusion of Latinos,” said Rep. Joaquin Castro, D-Texas, in a letter to Librarian of Congress Dr. Carla Hayden on Friday.
“Selena is an American icon and she’s so celebrated within the Latino community,” Castro, who is also the chairman of the Congressional Hispanic Caucus, told NBC News. “I think part of the affirmation of that was, not only the success of the film but also the recent success of the television series.”
The film starring Jennifer Lopez depicts the life, remarkable rise, and tragic death of Tejano music legend Selena Quintanilla. The film also touches on important themes of cultural identity and assimilation faced by Mexican American communities as they navigate their personal connections between two cultures and languages.
“Given its importance as a work of Latino cinema, we believe it is deserving of preservation at the Library of Congress,” Castro’s letter to Hayden reads. “We trust you will give Selena careful consideration, and hope to see it included in the titles added to the National Film Registry in 2021.”
“Interestingly, the character of Anita became my role model after all those years,” said the Puerto-Rican actress and Emmy, Grammy, Oscar and Tony recipient.
In the past decade or so, Rita Moreno has received multiple lifetime achievement awards and would probably receive even more — except that she’s too busy working.
The actress, who turns 89 on Dec. 11, is one of the few people to win an EGOT: Emmy, Grammy, Oscar and Tony. She’s also received the 2004 Presidential Medal of Freedom, the 2009 National Medal of Arts, the 2013 SAG Life Achievement Award, Kennedy Center Honors in 2015, and a Peabody Career Achievement in 2019, to name a few.
(Image credit – Herbert Dorfma/NBC News)
But she has no intention of resting on her laurels. In “Rita Moreno: A Memoir,” she expresses frustration at not working more. “I still feel that way!” she told Variety shortly after the book came out in 2013. She is always busy; if it’s not film, “I do theater, I do television, concerts, I do talks, lectures I do a lot of fundraising as a performer.”
Her 70-year career covers the spectrum of entertainment, including radio, theater, basic-cable, movies (both under the studio system and in the indie world), and now streaming.
Bad Bunny made a major stride for Spanish-language music this week.
The Puerto Rican rapper’s newest album, El Ultimo Tour del Mundo, debuted atop the Billboard 200 albums chart. Not only does the feat mark Bad Bunny’s first number-one LP, but the album also breaks ground as the first all-Spanish-language album in the chart’s history to go No. 1.
According to Billboard, who broke the news Sunday (December 6), Bad Bunny’s newest offering pushed 116,000 equivalent album units in the United States in the week ending December 3. Not to mention, Bad Bunny’s other
Photo credit: The Guardian, Photograph: Stillz/Press
2020 effort, YHLQMDLG, which debuted and peaked at No. 2 on the charts earlier this year, set the bar as the highest-charting all-Spanish-language project with 179,000 units earned in its first week.
With his latest chart accomplish, Bad Bunny joins the shortlist of artists with an all-Spanish-language album to enter the top five, alongside Mana’s Amar es Combatir (No. 4 in September 2006) and Shakira’s Fijación Oral: Vol. 1 (No. 4 in June 2005). Overall, Bad Bunny has earned five top 10 albums on the Billboard 200 chart including Oasis (No. 9 in July 2019), YHLQMDLG (No. 2 in March 2020), Las Que No Iban a Salir (No. 7 in May 2020), and now, El Ultimo Tour del Mundo.
Bad Bunny’s number-one album achievement comes weeks after the superstar fell ill with coronavirus in late November. Weeks after, the 26-year-old shared an update on his health while appearing on The Late Late Show. “I feel great. Thank God,” the star said on the December 2 broadcast. “I tested negative and I’m so happy. I feel perfect.”
Selena’s musical journey brought her closer to her family’s Mexican roots, an “empowering” message for the younger generation, says actress Seidy Lopez, who plays Selena’s mother.
Even 25 years after her death, the life and musical legacy of the Grammy-winning Tejana singer Selena Quintanilla remains influential and relevant. A widely anticipated Netflix show “Selena: The Series,” which premieres Friday, seeks to amplify the life of the beloved Queen of Tejano, beyond just her musical journey.
Natalia Mantini for The New York Times
The new show is at its core a story about the Quintanillas, a tight-knit Mexican American family from South Texas striving for a better life while also overcoming the struggles Latinos face in the entertainment industry.
The first part of “Selena: The Series” is not only a celebration of the singer’s life, starting from her birth in Lake Jackson, Texas, in 1971 until the release of her second studio album, “Ven Conmigo” in 1990. It’s also a celebration of navigating life as a young American of Latino heritage.
“Selena didn’t know Spanish when she started singing. When she started performing in Mexico is when she realized that she had to go back to her roots and embrace the language, embrace the culture, understand more about who she was and where she came from,” said Seidy Lopez, a Mexico native who plays Marcella, Selena’s mother. “She explored that as she was growing as an artist, as she was growing as a woman. And I hope that this next generation gets to see that and that they bring it into their own experience because it’s very empowering.”