Latin America’s film renaissance continues to captivate critics and audiences all over the world and some of the most thrilling films of the region are being showcased in a small but impactful series currently showing at New York City’s Museum of Modern Art.
“The film scene in Latin American is very vibrant right now,” says MoMA’s associate curator La Frances Hui who curated the knockout series. “There are far more films coming out of the region than any other time,” Hui says.
According to Hui, in the last three months alone in New York City there have been four major film series featuring the work of Latin American and Caribbean filmmakers.
“There are exciting opportunities for filmmakers now, they are sharing resources, people are collaborating and cross pollinating and the result is exciting,” Hui observes.
The selections featured in the series aptly named State of The Art explore a wide range of stories—from the tale of a former soldier during the Shining Path guerilla war in Peru, to a middle class Ecuadorian girl entering adolescence who is sent to live with her eccentric father, to an indigenous woman having to decide between her culture and her desire for an intellectual life in the western world.
One of the reasons for the area’s recent movie success, according to Hui is innovative funding sources that combines public and private sources.
One of these is Ibermedia, an intergovernmental organization made up of twenty countries. The films featured in the series were created with the support of the Madrid-based organization created to help advance the work of fiction and non-fiction filmmakers of Latin America, Spain, Portugal and most recently, Italy.
“I didn’t have a number of films or subjects or countries in mind when I started to program the series. I went in with an open mind and then curated,” Hui explains. “I was very happy to find such quality films from the region.”
“These are quality films telling truthful stories through personal experiences and that tell very strong stories of the people and culture of the area,” Hui says.
Continue onto NBC News to read more about Latin America’s film renaissance and it’s feature in MoMA.
Meet the Latino and Latina Power Houses that are gaining the world’s attention.
Patty Rodriguez is best known for her role as on-air talent for KIIS.FM’s morning show with Ryan Seacrest.
“I never saw myself on-the-air,” she tells HipLatina. After 13 years On Air With Ryan Seacrest, she finally became comfortable with telling stories of local heroes. “People on social media would always tell me, ‘oh you don’t have the voice for it’ and I guess I just believed it,” she adds. She didn’t pursue it for a long time because imposter syndrome was holding her back.
Mexican driver Sergio Pérez, also known as Checo Perez, has amassed more points than any other Mexican in the history of the F1. But Perez is yet to match his hero Pedro Rodriguez and take the chequered flag in first.
Perez recently committed to a long-term deal with Racing Point beyond 2021. Perez has been with the team since 2013, when he signed with the group, then called Force India. The group reformed as Racing Point in 2018.
“I feel very confident and very motivated with the team going forwards,” Perez said, “with how things are developing, with the future of this team, the potential I see.”
It was also recently announced that the Mexican Grand Prix, an FIA-sanctioned auto race held at the Autódromo Hermanos Rodríguez, in Mexico City, will stay on the F1 calendar for the next three seasons.
“It was great news,” Perez said of the renewal. “It’s a massive boost on my side to know that for the next three years I’ll be racing home. Three more years to have an opportunity to make the Mexicans very proud.”
The 2019 Latin Recording Academy Person of the Year gala honored 23-time Latin GRAMMY and two-time GRAMMY-winning singer, composer, musician, and philanthropist Juanes for his creative artistry, unprecedented humanitarian efforts, support of rising artists, and philanthropic contributions to the world.
Juanes (born Juan Esteban Aristizábal Vásquez) is a Colombian musician whose solo debut album Fíjate Bien won three Latin Grammy Awards. According to his record label, Juanes has sold more than 15 million albums worldwide.
Silvio Horta, best known as an executive producer of the hit ABC television series Ugly Betty, died in January. He was 45. Horta was an American screenwriter and television producer widely noted for adapting the hit Colombian telenovela Yo soy Betty, la fea into the hit series, which ran 2006–2010. Horta served as head writer and executive producer of the series.
From the arts to activism, here are five Latina Woman that are making strides, breaking boundaries and that you should be paying attention to.
Cristina Tzintzún Ramirez
Cristina Tzintzún Ramirez is an American labor organizer and author. On August 12, 2019, Ramirez announced her intention to challenge incumbent United States Senator John Cornyn in the 2020 United States Senate election in Texas. Tzintzún began organizing with Latino immigrant workers in 2000 in Columbus, Ohio, and then moved to Texas. At graduating from University of Texas, Austin, she helped establish the Workers Defense Project (WDP), serving as its executive director from 2006 to 2016. Following the 2016 election, Ramirez launched Jolt, an organization that works to increase Latino voter turnout. Her bid for the Senate has been endorsed by New York representative Alexandria Ocasio-Cortez, Texas representative Joaquin Castro, and actor Alec Baldwin.
A rising star in the male-dominated world of urbano (Ozuna, J Balvin, Bad Bunny), Mariah Angeliq, who goes simply by her first name, is here to prove that the girls can be bosses, too. On debut single “Blah,” the Miami-born and raised singer of Puerto Rican and Cuban descent lets the men know that their money (and their bragging) don’t impress her much, while her latest track “Perreito” is dripping with swag as she boasts about stealing the show with her flow as the one that shoots and never fails.
Lineisy Montero Feliz
Lineisy Montero Feliz is Dominican model known for her work with Prada. She is also known for her natural Afro hair. She currently ranks as one of the “Top 50” models in the fashion industry by models.com, including Balenciaga, Marc Jacobs, Oscar de la Renta, Roberto Cavalli, Versace and Céline.
Rico Nasty is one of the leading voices in the current style of hip-hop that adopts elements from hardcore and punk rock. Rico released a new song in January titled “IDGAF;” it’s built around softly echoing electric piano sounds and finds the DMV rapper in melodious sing-song mode.
The singer announced the summer launch of her cosmetics company, Rare Beauty, via Instagram on Feb. 4. The cosmetics company shares a title with her most recent album of the same name.
“Guys, I’ve been working on this special project for two years and can officially say Rare Beauty is launching in @sephora stores in North America this summer,” she captioned in the Instagram video.
“I think Rare Beauty can be more than a beauty brand,” the singer says in the video. “I want us all to stop comparing ourselves to each other and start embracing our own uniqueness. You’re not defined by a photo, a like, or a comment. Rare Beauty isn’t about how other people see you. It’s about how you see yourself.”
Creator of the Latinx series, The Expanding Universe of Ashley Garcia, which debuted on Netflix in February?
Saved by the Bell icon?
Lopez is many things to many people—a modern-day Renaissance Man.
Currently, he’s rebooting Saved by the Bell—which stole the hearts of a generation during its run from 1989 to 1993—and overseeing the already-popular Ashley Garcia, about a teenage robotics engineer and rocket scientist who works for NASA.
Lopez said Saved by the Bell, which features many of the original cast members, is off to a rousing start.
“We’ve gotten great reviews,” he said. It’s a fun, charming, sweet show that shows us in a great light.”
Ashley Garcia is a different animal. There have been other programs about young geniuses (Doogie Howser, MD comes to mind), but this series features a Latina lead and layered storylines. For one thing, Ashley, who earned a PhD at 15, has a complicated relationship with her mother, so she moves from the East Coast to Pasadena to live with her uncle Vito, a high school football coach (Lopez made an appearance in the show’s pilot episode, as uncle Vito’s friend Nico).
“The actors have great charm and the whole show has gentle tween appeal with strong pro-girl messages,” a review in Common Sense Media stated.
Lopez is indeed a Renaissance story, and it traces back to Dick Clark, the original host of the iconic Bandstand and a staple in the lives of TV viewers.
“He persuaded me to look at myself as a brand, as a host,” Lopez, the 46-year-old husband and father of three, said. “He influenced me in a big way.”
Taking advice from a legend was a pivotal moment in Lopez’ career. It’s easier to list what he hasn’t done than what he has done.
Across many platforms, Lopez has served as a role model for Latino and Latina entertainers and entrepreneurs.
He prefers to lead by example. Becoming a powerhouse brand is what allowed him to create the groundbreaking Ashley Garcia.
“We need more people to tell our stories,” he said of the Latinx community. “And that comes from writers and producers.”
Asked about Latino values, he chuckled.
“I just celebrate good values,” he said. “Good values are good values. We raise our kids in a faith-based environment.”
Lopez, who in 2018 was baptized in the Jordan River, said his own faith plays an important role in his prosperity as well as his peace.
“It helps me be still,” he said. “It helps me be humble and focused. It balances me.”
Mario Lopez Jr. was born on October 10, 1973, in San Diego, California, to Elvira, a telephone company clerk, and Mario Sr., who worked for the municipality of National City. Lopez was raised in a large Catholic family of Mexican descent. He started to learn to dance at the age of 3, training in tap and jazz. He also did tumbling, karate, and wrestling at his local Boys and Girls Club when he was 7 years old.
A fitness fanatic to this day, he competed in wrestling in high school, placing second in the San Diego Section and seventh in the state of California in his senior year while attending Chula Vista High School, where he graduated in 1991.
Lopez was discovered by a talent agent at a recital when he was 10 years old and landed jobs in local ads and commercials.
In 1984, he appeared as younger brother Tomás in the short-lived ABC comedy series a.k.a. Pablo. That same year, he was cast as a drummer and dancer on Kids Incorporated for three seasons. In March 1987, he was cast as a guest star on the sitcom The Golden Girls as a Latino boy named Mario who faces deportation. He was cast in a small part in the movie Colors.
Then came his big break. In 1989, Lopez was cast as A.C. Slater in the hugely successful sitcom Saved by the Bell.
His career was off and running.
In 1997, Lopez starred as Olympic diver Greg Louganis in the television movie Breaking the Surface: The Greg Louganis Story. The following year, he was cast as Bobby Cruz in the USA Network series Pacific Blue. In In 2006, Lopez joined the cast of the daytime soap opera The Bold and the Beautiful, playing the role of Dr. Christian Ramirez.
In the fall of 2006, Lopez appeared on the third season of Dancing with the Stars, where he placed second in the competition and once again stole the hearts of women across the country.
Lopez began hosting Access Hollywood in 2019.
Asked about his most memorable interviews as a radio and TV host, he mentioned President Barack Obama.
“He knew who I was and that was pretty flattering,” Lopez said. “He’s very down to Earth and a cool guy. We talked about our kids.”
Lopez branched out to radio in the 1990s. Today, he hosts a nationally syndicated radio show, ON with Mario Lopez. In addition, he’s starred on Broadway and published three books: Mario Lopez Knockout Fitness, Extra Lean, and Mario and Baby Gia, about Lopez and his daughter.
At the end of the day, Lopez is a family man, a businessman, his own brand and an advocate for the advancement in all walks of life for Latinos.
Admirers often cite his heartthrob looks, but Lopez is all about hard work and… no excuses.
He recently cited the fact that Latinos are opening more small businesses than anyone in the United States. Not everyone can build a brand like Mario Lopez, but they can strive to be their best every day.
“No opportunity?” Lopez said, “We’ll make our own opportunities, and flourish!”
A fully taped production of the Broadway hit, Hamilton, written by Lin-Manuel Miranda, is being released to Disney+ in its entirety on July 3, 2020, just in time for Independence Day.
Originally due to premiere as a theatrical release on October 21, 2021, the movie has been moved up to provide a sense of hope and comfort due to the uncertainty of the COVID-19 pandemic.
Because of the cultural and historical impact that Hamilton has had since its Broadway debut in 2015, Disney plans to make the experience more captivating and to include as Disney quoted, “the best elements of live theater, film, and streaming.”
Creating this kind of atmosphere will not be a difficult task, due to how the filmmakers have already produced it. The production was filmed from various camera angles from the show’s original Richard Rodgers Theatre home and filmed across three different performances in in 2016.
The production will include all of the original Broadway cast members, including Leslie Odom Jr., Renee Elise Goldsberry, Phillipa Soo, Jonathan Groff, Daveed Diggs, upcoming In the Heights star Anthony Ramos, and of course, Lin-Manuel Miranda as Alexander Hamilton.
Since the beginning of time, humans have thrived through social interaction. While bonding with friends still consists of getting together to talk, laugh and share with one another, the physical aspect of social interaction is no longer necessary. TikTok’s content and ability to connect people mimics what we love about interacting with each other.
The most popular videos on the app usually fall into two categories: comedy and dance. To this day, some of our most important social gatherings, such as birthday parties and weddings, still revolve around laughing and dancing with one another. While done in a more virtual setting, TikTok’s algorithm has allowed for the same enjoyment to take place within the app. Comedy skits or joke setups are mimicked, built upon and applauded by other members of the community. Dancing on the app is easy to do and can be filmed with multiple people from around the world, with a “duet” feature that allows creators to film their own content to coincide with an original video they have found.
So, while TikTok may not be the traditional form of bonding that we are used to, it is still the type of bonding that we seek. Plus, given the climate of today’s world, perhaps social bonding on TikTok is even the best form of socializing, as we are doing our part to self-isolate and prevent the spread of COVID-19.
The three leading female stars of the new Netflix series “Gentefied”say there’s a reason why the bilingual, bicultural show has been so fun to make.
“It’s fun because it’s us,” says Karrie Martin, who grew up in a Honduran-American household and plays a young artist, Ana, on the show. “The world is now seeing what we see at home.”
The series, executive produced by America Ferrera, features three Mexican-American cousins living in the predominantly Latino neighborhood of Boyle Heights in L.A.
They’re trying to figure out their own lives, which are intricately intertwined with their grandfather’s taco restaurant — and the struggle to keep the business viable amid rising rents and the slow gentrification of the neighborhood.
Annie Gonzalez, who plays Lidia, a Stanford-educated, brainy young woman on the show, was born and raised in East LA. She is now an actress in Hollywood, and uses her own life as an example of the show’s title, which is a play on words.
“If I were to go back and want to buy a piece of property, I would essentially be replacing or displacing a group of people that live there — for my benefit,” she said. That’s gentefication: the process by which more affluent Latinos are gentrifying working-class Latino neighborhoods. The title is a play on the words gente, which means people in Spanish, and gentrification.
The issue of younger, affluent professionals displacing working-class Latino families is an ongoing issue in several parts of the country, whether it’s in Brooklyn, Los Angeles or San Francisco.
The show delves into serious topics about work, gender, economics and family, but with humor. It’s also one of the few shows that move seamlessly between languages, with the older Latinos speaking Spanish to the younger generation, who answer in English.
The bilingual nature of the series is personal for Gonzalez who, as a fifth-generation Mexican-American, didn’t learn Spanish at home because her family was reluctant to teach it.
“We were forced to assimilate,” said Gonzalez. “My grandma would get hit if she spoke Spanish in school.”
“Gentefied” deals with the themes of Latino identity and authenticity, which Gonzalez said were relatable for her. Growing up, she experienced being questioned by other Latinos over whether she was embarrassed by her culture or how Mexican she really was.
“I couldn’t be more Mexican if I tried,” she said.
Continue on to NBC News to read the complete article.
After winning the Oscar for animated feature, “Toy Story 4″ producer Jonas Rivera was stunned and pleased to be reminded that he is now the first U.S.-born Latino to win multiple Oscars.
Rivera previously won for the 2015 film “Inside Out.”
“As if my mind couldn’t be more blown about the last five minutes, thank you for that,” Rivera said. “I’m a little bit out of my body right now. It means the world to me. I can’t even really put it into words.”
And he had an inspirational message for others in the Latinx community dreaming big dreams, even if he couldn’t deliver it in Spanish.
“The only Spanish I learned was when my grandparents would fight,” he joked, before adding, “You work hard, you put your guts into it … and it does happen.”
Pictured left to right: “Toy Story 4’s” Oscar-winning producers Jonas Rivera, from left, Josh Cooley and Mark Nielsen at Disney’s Hollywood Studios in Orlando, Fla.
The Latina powerhouses were joined on stage by J Balvin and Lopez’s daughter.
Ever since Shakira and Jennifer Lopez were announced as headlining the Super Bowl LIV Halftime show, it was expected that the two would bring the Latino Power, and the singers did not disappoint.
The divas delivered a nearly 15-minute performance that began with Shakira, who opened with “She Wolf,” followed by a medley of her hit songs, including “Whenever, Wherever” and “Hips Don’t Lie.” Viewers at home and in the stadium were surprised to hear Shakira launch into “I Like It,” the song made famous by Cardi B., until Puerto Rican singer Bad Bunny, who was featured on the track, joined in on a Super Bowl remix of sorts. Shakira also wowed with her guitar playing — or slaying — skills, nodding to Led Zeppelin’s “Kashmir” as she belly danced atop a fiery projection.
J. Lo’s performance followed with a demonstration of her pole dancing talents, courtesy of the movie “Hustlers,” in which she stars. It was just one of a dozen-plus choreographed pieces which showed her versatility as a performer and, yes, as a singer. Among her greatest hits mini-set were the classics “Jenny from the Block” followed by snippets of “I’m Real,” and “Get Right.” She then changed into a silver and nude one-piece and launched into “Waiting for Tonight.”
Colombian artist J Balvin joined Lopez for a performance of “Que Calor,” while she sang “Love Don’t Cost a Thing.” The two switched to “Mi Gente,” on which Balvin collaborates on with Beyoncé, who was also in the building. As Balvin exited the stage, Lopez went into “On the Floor” and touched hands with her daughter Emme, who led as a vocalist in a chorus of children performing a slowed-down moving version of “Let’s Get Loud.” This was followed by Emme, whose father is Marc Anthony (also present in the stadium), delivering the chorus to Bruce Springsteen’s “Born in the U.S.A.” Referencing her own heritage, Lopez was draped in a coat bearing the Puerto Rican flag.
Continue on to Variety to read the complete article.
Move over Instagram! Tik Tok is becoming the new IT app and some Latina celebs are already getting on board – including Selena Gomez, Christina Aguilera, Jennifer Lopez and more. If you were one of the millions of users who had Vine, then you might already love Tik Tok without knowing it.
The addictive app is a space where creativity abounds and you’ll get trapped in a rabbithole of hilarious clips that will make you LOL, see some serious dance moves and wild viral trends.
To get to know a little more, we spoke with the CEO of The Influencer Marketing Factory, Alessandro Bogliari, to get some insights on how the video app works. “You don’t even have to sign up and the app will show you some of the best videos,” he told HOLA! USA when asked why people are eagerly tapping to download.
“Then, when you sign up, the AI [algorithm] will recognize your behavior in the app and will start showing you only videos that you should like based on what you engage with. I can easily spend one hour just scrolling on the ‘for you page’ without getting bored, [the] contents are so original and funny that it’s highly addicting,” he added.
Continue on to HOLA! to read the complete article.
I switched off my uncle’s playlist of classic salsa tunes and turned up Bad Bunny. We sat poolside in Dorado, Puerto Rico, with a small Bluetooth speaker beside us. My uncle, a conservative lawyer in his 60s, rolled his eyes when he heard “Bad Bunny, baby.”
With sold-out stadium tours and features from top American artists like Drake on his records, Bad Bunny has graduated from Puerto Rican grocery store clerk to international sensation in the last three years. Millennials have embraced him, but many old-school Boricuas are turned off by the Bunny explosion.
Upset by the lewdness of the lyrics of “Sensualidad,” my uncle picked apart each sexual innuendo and remarked on the raunchiness of today’s reggaeton culture. On a mission to change his mind, I chose to play to him Bad Bunny songs with underlying depth. First, I played “Estamos Bien,” an uplifting anthem released nearly a year after Hurricane Maria. Next up, “Desde el Corazón,” a love letter to Puerto Rico dedicated to his neighborhood and the local artists who inspired him to write music.
As a rebuttal, my uncle put on “Burbujas de Amor” by Juan Luis Guerra, a melodic, classic love song full of imagery. He rocked back and forth proclaiming, “He is a poet.” I had to admit, Bunny to Guerra was a stark contrast, but then again so were we.
For Latin Baby Boomers like my uncle, the archetype of a man was the head of the household who rarely showed his vulnerable emotions. There was dignity in the unity of marriage, and cursing was seen as inappropriate or low-class. The lyrical, heartfelt singers of my uncle’s childhood provided a way for those same men to connect with and express the deeper romantic sentiments in the clean music.
The themes in Latin music are largely the same throughout the generations — love, loss, hardship — only with different mouthpieces using forms of expression that reflect their audience.
In the 1990s, Latin music in Puerto Rico fused with reggae and American hip-hop to create reggaeton. This new wave of music, created by underground youth culture in the clubs of Puerto Rico, was a creative outlet during inner-city sufferings. Typical of Caribbean culture, it was done with a great dance beat. From the streets of the island to worldwide dominance, reggaeton burst through the English-speaking Western market, and now we are all living in a post-“Despacito” world.
Our music today is a celebration of Latinx culture. What was once understated is now screamed from the rooftops, or rather rapped to sold-out crowds at Madison Square Garden. Latinx Millennials and Gen Z are unapologetically ourselves. We choose our pronouns, our lovers, and express ourselves freely.
This is mirrored in one of our hottest artists, Bad Bunny. His music videos and style defy gender norms and pave the way for further inclusivity and acceptance for all. Bad Bunny is a part of the movement of today’s youth to speak up and speak out. His uniqueness emulates this generation’s custom-made individuality and Latin pride.
As my uncle and I playfully debated the rise of Bad Bunny, taking turns as DJ, I realized why his music means so much to me personally. In not taking himself so seriously, I’ve learned to do the same. It’s OK that I’m a mix of cultures both Puerto Rican and European. It’s OK that I’m the gringa of the family. It’s OK that I was born on the mainland, where I’m not American enough, yet on the island I’m not Boricua enough. It’s OK that when I can’t think of a word in Spanish, I switch to English. It’s OK for me to be exactly as I am.
Continue on to Pop Sugar to read the complete article.
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