Get the scoop on jobs, lifestyle, and more! Podcasts have taken the world by storm.
Instead of listening to music on the way to and from work, most people are listening to their favorite podcasts.
Many cover topics like true crime, comedy, sports and recreation, society and culture, and arts and business.
“Podcast” was formed by combining “iPod” and “broadcast”.
Many different mobile applications allow people to subscribe and to listen to podcasts.
Check out these podcasts that give you business advice and teach you about food, family, history, and more.
Mucho Success: Advice and Success Secrets for Latinos
How can Latinos become more successful? Learn the secrets of the most influential people and apply them to your life. Join corporate executive, entrepreneur, and business coach José Piñero as he interviews fascinating leaders and brings inspiring stories, lessons, and advice to empower and elevate Latinos.
This podcast is for everyone trying to live their best lives but need some support, encouragement, and most importantly, dope girlfriends. Jess and Yarel are there to hash out their own real-life moments as well as get into those ‘wait, hold up!’ moments with their guests! Each episode offers something new, whether they’re diving into topics like careers, spirituality, personal development, or wellness.
Latinos Who Lunch provides a digital media platform that reflects the intersectionality between queer, Latinx, and Spanglish voices in an Anglo-dominated podcast world. FavyFav and Babelito approach the topics of identity, food, family, and history in a responsible yet humorous way.
Latina to Latina is an interview podcast hosted by Alicia Menendez and executive produced by Juleyka Lantigua-Williams. Menendez said, “Less than a year ago, when we first launched Latina to Latina, we produced what the two of us wanted and needed: a space for Latinas to talk about their lives and professional journeys. What we’ve learned from our listeners is that they wanted and needed this more than we even imagined. Yes, they are looking for inspiration, but we routinely hear that the sense of belonging and community is what keeps them listening week after week.”
Sunny Hostin will never forget where she came from. Before the Emmy Award-winning co-host joined the cast of The View in 2016, she was a senior legal correspondent for ABC News, a legal analyst for CNN and before that a federal prosecutor.
“I’m a lawyer first,” says Hostin, an active member of the National Black Prosecutors Association. As a lawyer, advocacy—especially for underserved youth of color—has always been a big priority. “The 15-year-old kid who got arrested for marijuana possession, does that have to be a felony?” asks Hostin. “Or can that be a diversion program where he gets drug treatment or he gets community service and it gets wiped off his record?”
As a television host and correspondent, she’s sought to advocate for social justice issues. But when it came to systemic racism, it didn’t occur to Hostin until recently that her testimony could expose and, hopefully, help correct it. That realization informed the basis of her new book, I Am These Truths, a detailed account of her journey from the housing projects of the South Bronx to her seat on The View.
Hostin, a proud “Afro-Latina” woman, as she calls herself, hasn’t always embraced her multicultural roots. Born in 1968 to a Puerto Rican mother and a Black father, she spent much of her life feeling ostracized for checking more than one box. “I grew up living in the grey,” she says. “I was otherized.”
The memoir, published in English and Spanish at the suggestion of Justice Sonia Sotomayor, was published in September. It was originally slated to be one of two books released by Hostin this year. But the other, Summer on the Bluffs, her debut novelabout the Black beach community of Martha’s Vineyard, was postponed until 2021. In light of heightened police brutality and racial injustice, Hostin believed releasing her memoir was more important.
“When you’re telling a story, you have to humanize it; people need testimony,” says Hostin. “I thought, ‘I’ll be the face of this story.’” It wasn’t an easy feat for a journalist used to telling others’ stories. But the book is filled with honest, unfiltered stories, including one about her parents’ experience with housing discrimination.
The book is, in many ways, a risk for Hostin, who exposes a great deal about the discrimination she’s faced as a public-facing media professional, even at her current employer, Disney. Requests to remove such content didn’t hold her back. Hostin’s experiences not receiving her own dressing room like other hosts, being told to “stay in her lane” when it came to coverage and getting paid less than her white colleagues with fewer credentials all made it into the memoir. “I think it’s important to call out that kind of behavior,” Hostin says. “Whether it was intentional or not.”
Gymnast Laurie Hernandez’s living room is decorated with many photographs. But two are the most special—one shows her parents praying before her performance at the 2016 Olympics and the other is of them hugging her afterwards.
“I love those photos,” Hernandez told NBC News. “Going to the Olympics, competing and then looking into the crowd and seeing my parents, that was one of the sweetest things I could possibly ever have witnessed…It’s just a big reminder as to how much support my parents have given me in all of this.”
Her Puerto Rican parents, Wanda and Anthony Hernandez, were watching their then-teenage daughter make history as the first Latina gymnast to represent the United States at the Olympics since 2004 — while also bringing home some medals. Hernandez won silver on the balance beam and gold on the team event alongside fellow USA gymnasts, Simone Biles, Gabby Douglas, Aly Raisman, and Madison Kocian.
“There was so much representation, from Black women to white women, a Hispanic girl, so I think that was a really important thing for just the globe to see,” Hernandez said.
Hernandez said her fans will learn more about how she trains during the coronavirus pandemic, as well as “how I was raised and who my parents are” in the new Peacock Original documentary series “True Colors,” starring her and other Hispanic trailblazers, such as the actor Mario Lopez, the former professional baseball player Alex Rodriguez and Congresswoman Alexandria Ocasio-Cortez, among others.
“You’ll be able to get a really good feel as to why I am the way I am and why my siblings are the way we are,” Hernandez, who’s currently training for the 2021 Olympics in Tokyo, said. “It’s been, definitely, a crazy ride. I’m only 20 and I feel like I’ve lived three lives already.”
Hernandez remembers being very passionate about the sport since a very young age. When she was still just a little girl training in New Jersey, she looked at her parents and said: “Hey, like I want to go to the Olympics. … I have all these crazy dreams.”
“They could have very easily been like, ‘You’re a child. You came out of the womb nine years ago, maybe let’s try something else.’ But they didn’t. Instead, they hit me with the ‘well, if this is what you want, then how can we help you?'” Hernandez recalled.
At the 2016 Olympics, her parents were praying “that I don’t wipe out,” while competing, she said.
“I didn’t realize it until after Rio. We had all sat down away from cameras and talked about it. And they were like, we really questioned if we were being good parents by letting you stay in it because you’re getting hurt over and over again, which is part of the sport,” Hernandez said. “But after getting surgery in 2014, they saw how determined I was and they were like, ‘OK, we can’t pull that away from her.'”
When Luis Miranda arrived in New York City from Puerto Rico in the 1970s, he looked like many young students of his time, with his jeans and shaggy hair. In the Big Apple, though, he realized that not everyone wanted people like him. Instead of culture shock, he experienced discrimination. “It didn’t matter if you were a janitor or a PhD student,” Miranda recalled, “what they saw was Puerto Rican, some brown person, some brown kid. Not a real American.”
Miranda went on to become an activist, a government official, a political consultant, and a loving father to three children—including his son, Lin-Manuel Miranda, creator of the Broadway smash, “Hamilton.” Now the older Miranda, who has long been a behind-the-scenes player in Democratic politics, is in the spotlight in a new documentary, “Siempre, Luis,” debuting October 6 on HBO and HBO Max.
A camera crew spent a year following Miranda around, capturing his family life, political work, heath issues and humanitarian efforts. Watching the film, Miranda told NBC News, was an emotional experience for him.
“What comes to mind is how many great people I have met and known throughout my life; people who either convinced me that I had to join their fight, or I convinced that they had to join me, and together we have moved forward,” he said. “It was a reminder of how many people have helped me, (and) that I didn’t have time to thank them all.”
Luis A. Miranda Jr., 66, was born in the town of Vega Alta in Puerto Rico. A sharp student, he headed for New York City in the 1970s to continue his graduate work, inspired by—of all things—the character played by Debbie Reynolds in the 1964 movie musical, “The Unsinkable Molly Brown.”
In Nueva York, Miranda became an advocate for the city’s Latino residents, who were then predominantly Puerto Rican. By the 1980s, Miranda was a special advisor to Mayor Ed Koch, eventually becoming the Director of the Mayor’s Office for Hispanic Affairs.
In 1990, Miranda founded the non-profit Hispanic Federation, and has also been a key Democratic political consultant, working on U.S. Senate campaigns including Hillary Clinton’s as well as Rep. Adriano Espaillat’s, D-NY, who became the first Dominican American in the U.S. Congress.
Miranda has been a champion of his son’s ambitions as well. When a young, struggling Lin-Manuel received an offer for a full-time teaching job, his father advised him to follow his dreams instead. He helped promote his son’s off-Broadway musical “In The Heights” until it became successful and transferred to Broadway.
In fact, the younger Miranda credits his Dad as being part of his inspiration for “Hamilton”—Founding Father Alexander Hamilton also arrived in New York from the Caribbean—he was from the island of Nevis. “When I was playing him, I was just playing my father,” said Lin-Manuel.
“Siempre, Luis” highlights the devastating impact that Hurricane Maria had on Puerto Rico in 2017, and in the documentary, Miranda cries as he recalled the destruction. “For me, Puerto Rico is this untouchable, perfect place,” he says in the film, “that all of a sudden, doesn’t exist anymore.” A central focus of the film is the lengthy process, that was not without controversy, by which Miranda and Lin-Manuel bring a production of “Hamilton” to the island as a way of raising funds for Puerto Rico’s recovery.
According to the Annie E. Casey Foundation, about 25% of the United States’ children are a part of the Latinx community, yet they are the most underrepresented ethnic group in children’s books.
In a study by the Cooperative Children’s Book Center, they found that only 5% of the thousands of children’s books available had Latinx main characters. This is not only odd in terms of the importance of representation and racial equality, but economically as Latinx community makes up for about $1.5 trillion of the United States’ buying power.
One of the main beliefs for this underrepresentation appears to come from the publishing industry itself. Over 70% of publishers are Caucasian and as a result, create stories that are more familiar to their own stories or are out of touch with the Latinx community.
To combat this underrepresentation, twelve authors of the Latinx community have come together to form LatinxPitch, an organization dedicated to creating proper Latinx representation in literature and increasing the number of Latinx people in the industry. Beginning on September 15th, the first day of Hispanic Heritage Month, the group invited Latinx authors to use their Twitter platform to pitch ideas for children’s and young adult stories of varying genres. At the same time, LatinxPitch also invited Latinx publishers and agents to browse the pitches in search for new clients to represent. The work being done through LatinxPitch is not only working to create more representation, but is providing Latinx people a place to receive work, network, and make their ideas known.
The LatinxPitch is made up of twelve founding members: Mariana Llanos, Jorge Lacera, Sara Fajardo, Cynthia Harmony, Ana Siqueira, Mona Alvarado Frazier, Ernesto Cisneros, Nydia Armendia, Darlene P. Campos, Stephen Briseño, Denise Adusei, and Tatiana Gardel.
That guy can be an actor, writer, director, husband or father; he is always trying to give each role 100 percent.
“The best way to learn is by giving a 100 percent of yourself, whether that is in a relationship you are in, your job or as a parent,” says Rodriguez. “The only way to really learn from something is by committing yourself to it. Because if you are only putting half of yourself in, I am sorry, I know it’s cliché, but that is all you are going to get out of it…”
Rodriguez says dedicating himself fully to his acting career, to the advancement of Latinos in Hollywood and to his family is how he’s allowed himself to learn, grow and find success.
“When I learned to give that same 100 percent of myself, I wanted to give it to everything,” he pauses and then amends, “actually maybe I want to give my family more. Maybe I give them 110 percent,” he laughs.
Where it all Started
Rodriguez was born in Yonkers, New York, to a Puerto Rican/Cuban family. His father, Ramon Rodriguez, serves as an executive at the United States Hispanic Chamber of Commerce and helped him advance his acting career early on.
“I moved to LA when I was 21,” says Rodriguez, “I had been doing some extra work and working in theater, trying to find my way into the business for about three years. My father had been in the military with a guy who ended up as a technical advisor for a show called NYPD Blue.”
Through a series of events, his father got in touch with his connection, Bill Clark, which led to an audition for Rodriguez.
“He gave me an opportunity that might have taken me a few more years to get. I will always be grateful to him for that. I got a show called Brooklyn South, and that was really the beginning of my career.”
He followed Brooklyn South with roles on Roswell, Felicity, Law & Order and eventually CSI: Miami, where he joined the main cast and even had the opportunity to write and direct an episode. He has appeared in Jane the Virgin and Empire. In 2016, he took on the role of Luke Alvez on Criminal Minds, where he stayed until the show ended this year.
“I was there for three seasons and I had a great time with that group,” he says. “We really bonded and we all really understood how lucky we were to be there.”
Rodriguez hasn’t only made his mark in television. He has appeared in music videos like Jennifer Lopez’s “If You Had My Love” and films including Magic Mike XXL and Tyler Perry’s I Can Do Bad All By Myself.
“I loved playing the character of Sandino in Tyler Perry’s movie,” he says, “I felt like he had something really important to say.”
Penny Dreadful: A Game-Changing Role
This past spring, Rodriguez stars as Raul Vega on Showtime’s Penny Dreadful: City of Angels, a supernatural crime drama set in 1938 Los Angeles. The show focuses on the political and social tension, the rise of radio evangelism, and the powerful forces that attempt to pull a Mexican-American family apart.
Starring on the show is a game-changer for Rodriguez. He feels a kinship with the character of Raul. “I really believe in everything Raul believes in,” says Rodriguez.
Of Penny Dreadful, Rodriguez stated, in an interview with CBS Local’s DJ Sixsmith, “This is the most incredible production I’ve ever worked out. There are some important themes that people really need to pay attention to right now more than ever.”
“This show takes place in 1938 and here we are 92 years later and we’re dealing with all the same challenges without having made very much progress in almost 100 years,” Rodriguez continued. “We’re dealing with compromising people who we believe have lesser value than us and we come up with every reason under the sun to decide why they have lesser value. They have a different socioeconomic class, different skin color, different ethnic origin, you name it. We do that as human beings, and it makes it easy to really dehumanize people and move them out of the way for whatever we think out grand cause is.”
Creating Space for Latinos
Aligning himself with characters with a message is important to Rodriguez. And getting involved in writing and directing, like he did on CSI: Miami and later Criminal Minds, is one way he is making an effort to create space for Latinos in Hollywood.
“I think that we [Latinos] have to increase our presence on the creative side,” he says. “We have to grow writers and directors and executives and people that become people of influence within the system. We can’t expect a business that is not run by us to all of sudden decide they want to include us. We have to do the work to get in there and make ourselves important.”
And Rodriguez says we have to support each other.
“When we do get into those positions of power, when we are creating the content we want to see; we have to show up to consume it,” he says, “We have to show up for ourselves. For instance, a show like Penny Dreadful comes out, we have to show up and watch it.”
Rodriguez says the show as a whole is tackling big and timely issues.
“I really love that the show is addressing some things that were very relevant in the news cycle before COVID hit in terms of who we want to consider to be American,” says Rodriguez. “And how you are treated when you are considered not to be American, even though you very well may be… I was really happy to participate in telling this story.”
Another role Rodriguez has flourished in is fatherhood.
“Becoming a husband and father more than any other event, has changed my life,” he says.
He has three children with his wife, Grace Gail. Their newest addition, Bridgemont Bernard Rodriguez, was born on March 16, 2020 amid California’s stay-at-home order because of COVID-19. While Rodriguez admits it hasn’t been easy, it has afforded him more family time.
“I am sure it is a thing in many cultures, but I know it is a thing in Latin cultures, where you stay in for the first 30 days with a new baby. So, we would have been doing some version of that anyways,” he says. “I have enjoyed this time tremendously. I don’t know that I will ever get this much time to be with my family and have no one expecting me anywhere else…I have really chosen to look for the silver lining.”
Growing through Positivity
Looking for the positive angle is one way Rodriguez has been able grow.
“I have learned something in every single job. Some of things that I have been in that were bad, that I wouldn’t consider high quality that I have been a part of, I have learned plenty doing those,” he says. “And I have learned plenty doing things that I thought were extraordinary. The challenge of constantly working to get better and never letting the ego get in the way of me learning – that is a challenge to me every day.”
Which he says goes back to giving it all you’ve got.
“You are not going to get the full lesson out of it unless you are giving 100 percent of yourself.”
Meet the Latino and Latina Power Houses that are gaining the world’s attention.
Patty Rodriguez is best known for her role as on-air talent for KIIS.FM’s morning show with Ryan Seacrest.
“I never saw myself on-the-air,” she tells HipLatina. After 13 years On Air With Ryan Seacrest, she finally became comfortable with telling stories of local heroes. “People on social media would always tell me, ‘oh you don’t have the voice for it’ and I guess I just believed it,” she adds. She didn’t pursue it for a long time because imposter syndrome was holding her back.
Mexican driver Sergio Pérez, also known as Checo Perez, has amassed more points than any other Mexican in the history of the F1. But Perez is yet to match his hero Pedro Rodriguez and take the chequered flag in first.
Perez recently committed to a long-term deal with Racing Point beyond 2021. Perez has been with the team since 2013, when he signed with the group, then called Force India. The group reformed as Racing Point in 2018.
“I feel very confident and very motivated with the team going forwards,” Perez said, “with how things are developing, with the future of this team, the potential I see.”
It was also recently announced that the Mexican Grand Prix, an FIA-sanctioned auto race held at the Autódromo Hermanos Rodríguez, in Mexico City, will stay on the F1 calendar for the next three seasons.
“It was great news,” Perez said of the renewal. “It’s a massive boost on my side to know that for the next three years I’ll be racing home. Three more years to have an opportunity to make the Mexicans very proud.”
The 2019 Latin Recording Academy Person of the Year gala honored 23-time Latin GRAMMY and two-time GRAMMY-winning singer, composer, musician, and philanthropist Juanes for his creative artistry, unprecedented humanitarian efforts, support of rising artists, and philanthropic contributions to the world.
Juanes (born Juan Esteban Aristizábal Vásquez) is a Colombian musician whose solo debut album Fíjate Bien won three Latin Grammy Awards. According to his record label, Juanes has sold more than 15 million albums worldwide.
Silvio Horta, best known as an executive producer of the hit ABC television series Ugly Betty, died in January. He was 45. Horta was an American screenwriter and television producer widely noted for adapting the hit Colombian telenovela Yo soy Betty, la fea into the hit series, which ran 2006–2010. Horta served as head writer and executive producer of the series.
From the arts to activism, here are five Latina Woman that are making strides, breaking boundaries and that you should be paying attention to.
Cristina Tzintzún Ramirez
Cristina Tzintzún Ramirez is an American labor organizer and author. On August 12, 2019, Ramirez announced her intention to challenge incumbent United States Senator John Cornyn in the 2020 United States Senate election in Texas. Tzintzún began organizing with Latino immigrant workers in 2000 in Columbus, Ohio, and then moved to Texas. At graduating from University of Texas, Austin, she helped establish the Workers Defense Project (WDP), serving as its executive director from 2006 to 2016. Following the 2016 election, Ramirez launched Jolt, an organization that works to increase Latino voter turnout. Her bid for the Senate has been endorsed by New York representative Alexandria Ocasio-Cortez, Texas representative Joaquin Castro, and actor Alec Baldwin.
A rising star in the male-dominated world of urbano (Ozuna, J Balvin, Bad Bunny), Mariah Angeliq, who goes simply by her first name, is here to prove that the girls can be bosses, too. On debut single “Blah,” the Miami-born and raised singer of Puerto Rican and Cuban descent lets the men know that their money (and their bragging) don’t impress her much, while her latest track “Perreito” is dripping with swag as she boasts about stealing the show with her flow as the one that shoots and never fails.
Lineisy Montero Feliz
Lineisy Montero Feliz is Dominican model known for her work with Prada. She is also known for her natural Afro hair. She currently ranks as one of the “Top 50” models in the fashion industry by models.com, including Balenciaga, Marc Jacobs, Oscar de la Renta, Roberto Cavalli, Versace and Céline.
Rico Nasty is one of the leading voices in the current style of hip-hop that adopts elements from hardcore and punk rock. Rico released a new song in January titled “IDGAF;” it’s built around softly echoing electric piano sounds and finds the DMV rapper in melodious sing-song mode.
The singer announced the summer launch of her cosmetics company, Rare Beauty, via Instagram on Feb. 4. The cosmetics company shares a title with her most recent album of the same name.
“Guys, I’ve been working on this special project for two years and can officially say Rare Beauty is launching in @sephora stores in North America this summer,” she captioned in the Instagram video.
“I think Rare Beauty can be more than a beauty brand,” the singer says in the video. “I want us all to stop comparing ourselves to each other and start embracing our own uniqueness. You’re not defined by a photo, a like, or a comment. Rare Beauty isn’t about how other people see you. It’s about how you see yourself.”
Creator of the Latinx series, The Expanding Universe of Ashley Garcia, which debuted on Netflix in February?
Saved by the Bell icon?
Lopez is many things to many people—a modern-day Renaissance Man.
Currently, he’s rebooting Saved by the Bell—which stole the hearts of a generation during its run from 1989 to 1993—and overseeing the already-popular Ashley Garcia, about a teenage robotics engineer and rocket scientist who works for NASA.
Lopez said Saved by the Bell, which features many of the original cast members, is off to a rousing start.
“We’ve gotten great reviews,” he said. It’s a fun, charming, sweet show that shows us in a great light.”
Ashley Garcia is a different animal. There have been other programs about young geniuses (Doogie Howser, MD comes to mind), but this series features a Latina lead and layered storylines. For one thing, Ashley, who earned a PhD at 15, has a complicated relationship with her mother, so she moves from the East Coast to Pasadena to live with her uncle Vito, a high school football coach (Lopez made an appearance in the show’s pilot episode, as uncle Vito’s friend Nico).
“The actors have great charm and the whole show has gentle tween appeal with strong pro-girl messages,” a review in Common Sense Media stated.
Lopez is indeed a Renaissance story, and it traces back to Dick Clark, the original host of the iconic Bandstand and a staple in the lives of TV viewers.
“He persuaded me to look at myself as a brand, as a host,” Lopez, the 46-year-old husband and father of three, said. “He influenced me in a big way.”
Taking advice from a legend was a pivotal moment in Lopez’ career. It’s easier to list what he hasn’t done than what he has done.
Across many platforms, Lopez has served as a role model for Latino and Latina entertainers and entrepreneurs.
He prefers to lead by example. Becoming a powerhouse brand is what allowed him to create the groundbreaking Ashley Garcia.
“We need more people to tell our stories,” he said of the Latinx community. “And that comes from writers and producers.”
Asked about Latino values, he chuckled.
“I just celebrate good values,” he said. “Good values are good values. We raise our kids in a faith-based environment.”
Lopez, who in 2018 was baptized in the Jordan River, said his own faith plays an important role in his prosperity as well as his peace.
“It helps me be still,” he said. “It helps me be humble and focused. It balances me.”
Mario Lopez Jr. was born on October 10, 1973, in San Diego, California, to Elvira, a telephone company clerk, and Mario Sr., who worked for the municipality of National City. Lopez was raised in a large Catholic family of Mexican descent. He started to learn to dance at the age of 3, training in tap and jazz. He also did tumbling, karate, and wrestling at his local Boys and Girls Club when he was 7 years old.
A fitness fanatic to this day, he competed in wrestling in high school, placing second in the San Diego Section and seventh in the state of California in his senior year while attending Chula Vista High School, where he graduated in 1991.
Lopez was discovered by a talent agent at a recital when he was 10 years old and landed jobs in local ads and commercials.
In 1984, he appeared as younger brother Tomás in the short-lived ABC comedy series a.k.a. Pablo. That same year, he was cast as a drummer and dancer on Kids Incorporated for three seasons. In March 1987, he was cast as a guest star on the sitcom The Golden Girls as a Latino boy named Mario who faces deportation. He was cast in a small part in the movie Colors.
Then came his big break. In 1989, Lopez was cast as A.C. Slater in the hugely successful sitcom Saved by the Bell.
His career was off and running.
In 1997, Lopez starred as Olympic diver Greg Louganis in the television movie Breaking the Surface: The Greg Louganis Story. The following year, he was cast as Bobby Cruz in the USA Network series Pacific Blue. In In 2006, Lopez joined the cast of the daytime soap opera The Bold and the Beautiful, playing the role of Dr. Christian Ramirez.
In the fall of 2006, Lopez appeared on the third season of Dancing with the Stars, where he placed second in the competition and once again stole the hearts of women across the country.
Lopez began hosting Access Hollywood in 2019.
Asked about his most memorable interviews as a radio and TV host, he mentioned President Barack Obama.
“He knew who I was and that was pretty flattering,” Lopez said. “He’s very down to Earth and a cool guy. We talked about our kids.”
Lopez branched out to radio in the 1990s. Today, he hosts a nationally syndicated radio show, ON with Mario Lopez. In addition, he’s starred on Broadway and published three books: Mario Lopez Knockout Fitness, Extra Lean, and Mario and Baby Gia, about Lopez and his daughter.
At the end of the day, Lopez is a family man, a businessman, his own brand and an advocate for the advancement in all walks of life for Latinos.
Admirers often cite his heartthrob looks, but Lopez is all about hard work and… no excuses.
He recently cited the fact that Latinos are opening more small businesses than anyone in the United States. Not everyone can build a brand like Mario Lopez, but they can strive to be their best every day.
“No opportunity?” Lopez said, “We’ll make our own opportunities, and flourish!”
A fully taped production of the Broadway hit, Hamilton, written by Lin-Manuel Miranda, is being released to Disney+ in its entirety on July 3, 2020, just in time for Independence Day.
Originally due to premiere as a theatrical release on October 21, 2021, the movie has been moved up to provide a sense of hope and comfort due to the uncertainty of the COVID-19 pandemic.
Because of the cultural and historical impact that Hamilton has had since its Broadway debut in 2015, Disney plans to make the experience more captivating and to include as Disney quoted, “the best elements of live theater, film, and streaming.”
Creating this kind of atmosphere will not be a difficult task, due to how the filmmakers have already produced it. The production was filmed from various camera angles from the show’s original Richard Rodgers Theatre home and filmed across three different performances in in 2016.
The production will include all of the original Broadway cast members, including Leslie Odom Jr., Renee Elise Goldsberry, Phillipa Soo, Jonathan Groff, Daveed Diggs, upcoming In the Heights star Anthony Ramos, and of course, Lin-Manuel Miranda as Alexander Hamilton.
As we shift into warm, drinking-on-a-patio weather, you might be looking forward to celebrating Cinco de Mayo. Cinco de Mayo has become popularized as the drinking-on-a-patio holiday. But the origins of Cinco de Mayo have less to do with Tequila and more to do with unexpected victory.
“It really is an underdog story,” says Ruben Espinoza, Assistant Professor & Director of
Latinx and Latin American Studies at Chapman University in Orange, California.
Cinco de Mayo is often incorrectly billed as Mexican Independence Day, but that’s September 16. Cinco de Mayo actually commemorates the Battle of Puebla.
In the early 1860s after the Mexican Reform War, Mexico had fallen into debt to France, Britain and Spain. As a result, Mexican President Benito Juárez placed a moratorium on repayments of interest on foreign loans. This prompted Spain, Britain and France to send joint forces into Mexico. Spain and Britain withdrew, however, when they learned French Emperor, Napoleon III, was planning to overthrow the Juárez government and conquer Mexico. French troops, led by General Charles Ferdinand Latrille de Lorencez, headed toward Mexico City. But first they had to go through Puebla.
“The French forces were very equipped,” Espinoza says.
In contrast, the Mexican troops, led by General Ignacio Zaragoza, were more of a militia than an army made up mostly of farmers. And yet, in a victorious battle that took place on May 5, 1862, Mexican forces beat the French.
Juárez wasted no time declaring the anniversary of the Battle of Puebla a national holiday known as “Battle of Puebla Day” or “Battle of Cinco de Mayo.” Some sources claim the declaration of the holiday was made as early as May 9, 1862.
“That battle wasn’t the end of the war,” Espinoza says, “France occupied Mexico for five years.”
The French retreated for a year but ultimately overtook Mexico when they returned in 1863, where they remained until 1867.
“And there is certainly French influence in Mexican culture today as result. For example, with the pastries,” says Espinoza.
Mexicans and Mexican Americans may have grown up dipping orejas in coffee or hot chocolate, but these crunchy, buttery pastries are known as palmiers, or “palm trees” in France where they originated.
Today, in the city of Puebla, more than 20,000 people celebrate Cinco de Mayo with a civic parade routed along Boulevard Cinco de Mayo. There is also a historic reenactment of the battle. But beyond Puebla, it isn’t a big holiday in modern Mexican culture.
“It is not celebrated on large scale in Mexico anywhere outside of Puebla,” Espinoza says.
Cinco de Mayo is a very popular holiday in the United Sates, however. There are several opinions about how it fell into favor here.
Some point to the fact that during the time period the Battle of Puebla took place, the United States was embroiled in its own Civil War. Napoleon III was rumored to have considered supporting the confederacy, and a French takeover of Mexico could have possibly made Mexico a Confederate-friendly country. The news of the victory of Battle of Puebla might have been a moral boost for West Coast Latinos living in free states.
Others believe President Roosevelt’s attempt to improve relations with Latin American countries with the creation of the “Good Neighbor Policy” in 1933 may have had an influence. The holiday was also claimed by Latino civil rights activists in the 1960s as a way to celebrate their heritage.
Beginning in the 1980s and on into the aughts, liquor and beer companies began to capitalize on the holiday as way to market to Spanish speaking audiences.
Fast forward to present day, where Cinco de Mayo has become predominately associated with margaritas and sombrero-wearing.
But Espinoza stresses Cinco de Mayo isn’t a time to perpetuate inaccurate Mexican stereotypes.
“Wearing a costume isn’t celebrating someone’s culture,” he says, “It’s actually demeaning it…don’t treat is an opportunity to wear a costume that you think represents a population of an ethnic community.”
There are actually plenty of respectful ways to celebrate Cinco de Mayo that don’t involve drinking or fake mustaches.
Often, museums and parks in areas with large Hispanic populations host family friendly activities on the 5th of May. For example, Bowers Museum in Santa Ana, California, hosts an annual Cinco de Mayo Festival that features traditional Folklorico dancing and Mariachi music performances, along with face painting and crafts.
“We will be having a Cinco de Mayo event at Chapman,” Espinoza said, “And one of the good things about having it on a university campus is there is going to be a lecture to go along with the celebration.”
The city of Los Angeles sponsored a Cinco de Mayo Parade & Festival at Oakwood Recreation Park in Venice, California, as well. The festival included Aztec Dancers, Mariachi, a classic car show, the Venice High School Band and of course, Mexican food.
“It’s a holiday that is big in US now,” Espinoza says, “and it seems like it’s here to stay. As individuals, it is important for us to learn some of that history.”