We Lead: At the Intersection of Identity, Equity and Unity Leadership Summit is about recognizing the leaders in our communities that continue to take action to build equity in increasingly complex workplaces, together.
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We Lead: At the Intersection of Identity, Equity and Unity Leadership Summit is about recognizing the leaders in our communities that continue to take action to build equity in increasingly complex workplaces, together.
Click here to register:
By Hilary Shepherd, Refinery 29
Honoring long-held traditions while looking toward the future might be a popular practice around the holiday season, but for some, it’s a year-round business. Just ask 28-year-old digital creator Julianny Casado and 26-year-old makeup artist Sabré O’Neil. As Afro-Latinas (Casado is a first-generation American of Dominican origin; O’Neil is a second-generation American of Puerto Rican descent), the two creatives feel strongly about regularly celebrating their roots not only through their work, but through their own appearances and unique senses of style, as well.
Both Casado and O’Neil say that the journey in accepting their identities wasn’t always an easy one. “Growing up as an Afro-Latina, it was really hard to find my crowd,” O’Neil says. “I didn’t know if I was going to hang with the Hispanic people or the other crowds, so I was always by myself.” By continuing to push forward and make space for themselves in two fields that have historically lacked diversity, they’re helping to make way for opportunities for the next generation of creatives within their respective communities. In partnership with , the sneaker brand that’s been embracing both tradition and innovation through fun twists on the timeless Chuck style for more than 100 years, we asked Casado and O’Neil to share how they discovered their passions, the ways in which their identities influence their work, and how they redefine classic Converse silhouettes in 2021. Read their stories, below.
Julianny Casado, Digital Creator
I discovered my passion… “When I was 16 years old. I’ve always been obsessed with cameras, but my cousin had this really cool DSLR camera, and it really changed the way I felt about photos and how you could tell stories. I wanted to work for National Geographic and do crazy documentative stories. It took off from there. After that, I was always obsessed with photo formats and anything visual. Everything else — like curation and art direction — just grew. I learned from my mistakes and experience.”
My own unique aesthetic is… “Very candid and life-like. I like things to be as organic as possible. Very vibrant, too. I’m obsessed with color — it brings a certain character to the story that I’m telling. I work with the plus-size community and it’s been an experience that I’m so honored to be a part of. There are so many people who aren’t being celebrated, but they should be because they’re athletes and champions in their own right. They go out every day and smash whatever it is that they do. I love giving voices to people who feel like they don’t have one.”
How my identity as an Afro-Latina shapes my work: “I’m from New York City, but my family is from the Dominican Republic. I also have a huge lineage of Afro-descendants, and I love it. It influences everything that I do. I don’t take anything for granted because I know where I come from. I know what my ancestors have been through, and I know I have better opportunities just for being here today. I’ve watched my family turn bread into gold. I’ve seen them work hard at everything that they do, and it’s taught me that it’s the little details that people might not speak about or see right away. That’s definitely something I like to highlight and photograph — the things that aren’t completely obvious or aren’t typically socially accepted as beautiful. I think those are the best parts of life.”
I struggled with my identity… “As I grew up. I’m a first-generation American, so I didn’t have the Dominican roots that my older siblings had. I felt like there was a huge dissociation, but now as an adult, I’m really enjoying learning what those who came before me have done and how important it is to keep our culture and our traditions going. They are the things that make us, and if you don’t practice them, you lose them and you become like everyone else.”
To be Afro-Latina in America today is about… “Digging deeper into your identity. It’s a blessing. We have to stand together because there are so many people who want to deny where we come from. They want us to fit into what the rest of the world’s narrative is. Honestly, I’m so proud to be Afro-Latina and I wouldn’t change it for the world. Not my hair, not my skin, not my experiences.”
My first memory of Converse sneakers… “Was when I was 12. My first pair was white and they were low-tops. I love Converse — they’re my favorite sneakers. They were the coolest shoes growing up. They were so simple, comfortable, and affordable.”
I would redefine classic Converse silhouettes… “By adding a color-blocking pattern to a pair. Color is my safe zone and it makes me feel closest to my identity. I would choose pastel colors because they remind me of my island.”
Click here to read the full article on Refinery 29.
By Sarah Mosqueda
Rita Moreno is not a quitter.
“I think what is important to me is never giving up,” the 90-year-old Puerto Rican actress, dancer, singer and activist said in a recent phone interview, “Things do change and times do change, and the people who weren’t listening to me and what I stand for let’s say, 20 years ago, are listening more.”
Moreno’s determination plays a large role in her successful and expansive career. During Hispanic Network Magazine’s 30 years, Moreno has graced our cover more than once. She is a legend, with accolades that include EGOT status, with Emmy, Grammy, Oscar and Tony awards to her name.
While she is proud of her recognition, she stills sees room for improvement in terms of substantial Latinx representation within the entertainment industry. It is a challenge that has been present throughout her entire career.
“I see strides, and I don’t see enough,” Moreno said. “I think we are definitely underrepresented.”
As a young actress at MGM Studios in the 1950s, she was stuck playing ethnically ambiguous female roles she refers to as “dusky maidens.”
West Side Story in 1961 was a turning point for Moreno, who became the first Latina to win an Academy Award for acting for her role as Anita.
Moreno has been vocal through the years of how badly she wanted the role and the chance to play a Hispanic character with substance. She has also spoken candidly about the little difference the Oscar made in the roles she was offered after the win.
“It’s like, ‘How does it feel to have all those awards that no other Latino has?’” Moreno said, “Well, it feels wonderful, but it doesn’t get me the work. It has never gotten me the work.”
After her Oscar win, Moreno did Broadway and television but didn’t make another motion picture for seven years.
For most of the 1970s, Moreno was a main cast member on the PBS educational children’s program, The Electric Company, and won a Grammy for the show’s children’s album.
She won the Tony Award for Best Featured Actress in a Play for The Ritz in 1975. Moreno won her first Emmy Award in 1977 for her appearance on The Muppet Show, and received a second Emmy the following year for The Rockford Files.
In her 2021 documentary, Rita Moreno: Just a Girl Who Decided to Go for It, Moreno shares that as a young actress starting out, she looked up to Elizabeth Taylor simply because there were no role models for a young Puerto Rican girl. There was no one on screen who looked like her.
Ironically, Moreno’s time on the stage and screens both big and small, mean many of today’s Latinx stars grew up looking up to her.
In Just a Girl Who Decided to Go for It, Eva Longoria reflects on watching Moreno in The Electric Company and recognizing her as someone that looked like her. In Jennifer Lopez’s own documentary, Half-Time, she specifically names Moreno as her inspiration for aspiring to dance, act and sing.
Another Latinx entertainer who grew up watching Moreno is Ariana DeBose.
DeBose took on Moreno’s most famous role in Steven Spielberg’s 2021 adaptation of West Side Story, which Moreno also starred in and served as an executive producer for. In 2022, DeBose received the Academy Award for Best Supporting Actress for playing Anita. She is the first Afro-Latina, the first openly queer actor of color and the first openly queer woman to win the award. It’s a recognition that may not have been possible without Moreno’s own groundbreaking win.
“First of all, I am so happy for her, and I am happy for the Hispanic community,” Moreno said of DeBose, “She is Afro-Latina and that opens another door, which is fantastic. She is obviously very aware of the exclusion that we suffer from.”
Moreno places a lot of hope on the younger generation to lend their voice to changing things for the Latinx community.
“I am very hopeful that she will bring the attention of the younger people whose ear and interest we definitely don’t have,” said Moreno.
Moreno knows how to speak up too.
She has talked openly about her experiences with sexual assault, abortion and suicide and has long been an advocated for women’s rights. Her early social activism began at the March on Washington, where she was present during Rev. Dr. Martin Luther King Jr. famous “I Have a Dream” speech and stretches today, when she again recounted her own abortion story in the wake of the Supreme Court overturning Roe v. Wade. In 2004, she received the Presidential Medal of Freedom, and in 2009, President Barack Obama awarded her the National Medal of Arts.
“It is a question of never, ever giving up on what you have to say that is important to helping our community,” said Moreno.
Speaking up takes courage, but Moreno admits she has never had trouble being loud.
“I am a raucous person, and that is the Latina part of me. I am noisy, I laugh too loud,” Moreno said, “But that is who I am. I love that part of me.”
From 2017 to 2020, Moreno took on the role of Lydia, in One Day at a Time, the sitcom inspired by Norman Lear’s 1975 series of the same name. The reboot focused on Penelope, a newly single Army veteran, and her Cuban-American family. As Lydia, Moreno embraced the best parts of Latin culture, without slipping into stereotypes, and demonstrated what is possible when we are able to lovingly tell our own stories.
“I have a deep love for my people,” Moreno said, “I love who we are, and I love what we represent, because we represent deep values. I love our food; I love our music; I am never unaware of the Latin-ness of all of that.”
There is plenty of new Moreno content coming out later this year too.
This summer she will be filming a Christmas movie for Lifetime in Nashville, and she is also joining Sally Field, Jane Fonda, Lily Tomlin and Tom Brady for football-themed road-trip movie, 80 for Brady.
Moreno also has a role in Vin Diesel’s upcoming Fast and Furious movie, Fast X, as Grandma Toretto, Dom Toretto’s abuela.
“I had an absolutely fabulous time,” Moreno said of the filming, which took place in London. “We were freezing; we’re talking 50 degrees. But I loved it, I had a great time.”
Moreno said she had such a good time she might even make an appearance in the next film.
“I may do one more, so that would be insane,” Moreno said, “I mean, I am 90 years old and look at me!”
As always, she just won’t quit.
By ABC News Radio
Former WNBA player Niesha Butler has opened the first Afro-Latina-owned STEM camp, S.T.E.A.M. Champs, in New York City to reduce accessibility barriers to tech educational resources for Brooklyn youth.
“If a kid could actually say that they can be LeBron James, and roll it off their tongue as easy as that, then they can literally say ‘yeah, I can also put a man on the moon,’ or ‘I can also create the next app,'” Butler told ABC News.
Butler, a New York City native, says “there’s talent in Brooklyn.” She established S.T.E.A.M. (Science, Technology, Engineering, Arts and Mathematics) Champs in the middle of Brooklyn to encourage inner-city youth to channel their ambition into educational opportunities. Butler also hires interns, may of whom have tried coding for the first time with the program, she says.
“People sell basketball dreams every other second in our community. I thought it was really important to, let’s sell these tech dreams,” Butler said.
Prior to opening her doors in Brooklyn, Butler partnered with organizations like Girl Scouts, BronxWorks and a local AAU basketball team to host STEM-focused workshops reaching over 300 New York City students. Monday was the first day of camp in the newly opened facility.
“There’s not a lot of people of color in tech,” Butler said. “These jobs are open for everybody and they’re empty…so obviously we need to do a better job at educating our kids and in recruiting them.”
Other tech education camps and workshops across the nation have worked to close the gap and make tech careers interesting and accessible to students of underserved communities.
Black Girls CODE is one of those resources providing workshops and public speaking opportunities for Black girls. Program alumni Kimora Oliver and Azure Butler say that the program’s first chapter in California’s Bay Area created an environment that allowed local Black female students to envision themselves in the tech industry.
“Unfortunately, STEM is a white and male dominated field,” Oliver told ABC News. “I feel like [Black Girls CODE] is giving a diverse group of Black girls the exposure that they need to decide for themselves whether they want to continue with STEM in the future.”
For almost 40 years, another program called Academically Interest Minds (AIM) at Kettering University has tailored its pre-college curriculum to expose youth of color to STEM coursework and campus life.
“49% of African American students who attend Kettering University now, are AIM graduates,” Ricky D. Brown, the university’s director of multicultural student initiatives and the AIM program, told ABC News.
For many, STEM educational resources introduce an element of choice in considering STEM and exploring pathways of academic interests.
A study released in July by the National Bureau of Economic Research says that early intervention programs like S.T.E.A.M Champs, AIM and Black Girls CODE are effective in helping students achieve academic success in higher education and STEM majors.
“Some of these kids don’t have a computer at home to study,” Butler said. “When I go to some of these centers, they don’t have good Wi-Fi…they have outdated computers.”
According to the study, underrepresentation in STEM is due to a lack of preparation and access to educational resources.
“Given that STEM preparation and college access are shaped prior to college entrance, STEM focused enrichment programs for high school students are promising vehicles to reduce disparities in STEM degree attainment,” the study’s authors wrote.
Click here to read the full article on ABC News Radio.
By Christen Nino De Guzman, CNBC
I’ve always enjoyed working with content creators. At 31, I’ve helped launch creator programs at some of the biggest tech companies, including Instagram and Pinterest.
But it was frustrating to see the pay inequality that content creators constantly faced. So earlier this year, I decided to quit my $150,000-per-year job at TikTok to start a “Glassdoor-like” app called Clara for Creators.
Since launching, it has helped more than 7,000 influencers and content creators share and compare pay rates and review their experiences working with brands.
The pay gap in influencer marketing
Nowadays, there are very few barriers to becoming a content creator. With the popularity of TikTok, for example, you don’t need to invest hundreds or thousands of dollars in equipment; anyone can try to build an audience and monetize their platform with videos they shoot on a smartphone.
As a result, more and more creators have entered the business. The problem? They have little knowledge about how much money they could — or should — be making.
Content creator deals are tricky. How much you’re paid depends on the type of content you’re offering a brand and on what platform — an Instagram post versus a YouTube video, for example. Other factors include the size of your following, engagement metrics and success rates with previous partnerships.
To make matters even more complicated, brands often ask an influencer for their rate instead of offering everyone a base pay with room to negotiate.
Many creators end up selling themselves short, especially women and people of color. I once saw a man get paid 10 times what a woman creator was paid for the same campaign — just because he asked for more. I’ve also seen Latinx creators with triple the following of white creators be paid half as much.
How I started my mission-based business
I knew a major problem that creators faced was that they couldn’t Google how much money they could charge for marketing a product or service on their platform. That lightbulb moment — and how much I cared about the creators I worked with — inspired me to build Clara.
I wanted creators to be able to share reviews of brands they had worked with, along with how much they were paid for different types of content based on their number of followers.
In March 2021, I sent a bunch of cold messages to potential investors on LinkedIn. In July, after weeks of non-stop outreach that turned into more than 10 pitch meetings, I received a small investment from an individual investor. I used that money to contract a team of developers, who I worked alongside to build and test the app.
Clara finally launched for iOS in January this year. Within a month, without spending any money on advertisements, more than 7,000 creators signed up to share their rates on Clara, including top TikTok creators like Devon Rodriguez and Nancy Bullard, who each have 24.4 million and 2.9 million social media followers, respectively.
On January 14, I quit my job at TikTok as a creator program manager to work on Clara full-time. While I am taking a massive pay cut by leaving my 9-to-5, I’m living off money I make as a content creator and my savings.
Right now, I’m focused on raising capital to grow the platform. I’m also spreading the word about equal pay and how important resources like Clara are. l post career advice and other resources on my TikTok account, where I currently have 348,000 followers.
Get paid fairly: Know your rights and do your research
There are many things you can do to work towards greater pay equity for yourself and others in your industry.
When discussing pay with your coworkers, it’s important to know your rights. Some corporations may try to scare you from it by saying that salary talk is against company policy. But under the National Labor Relations Act, many employees have the right to talk about their wages with their coworkers.
I’ve had six full-time jobs, and fear used to keep me from talking about money. But the first time I openly discussed my salary with a colleague, I found out I was being underpaid. I then used that knowledge to look for new roles where I’d be paid more fairly.
These conversations don’t have to be awkward, especially if you’ve established a safe and comfortable relationship. Rather than flat-out asking “How much are you making?,” approach the discussion in a “let’s help each other” way. You might be surprised by the number of people who are willing to talk about it.
Keep in mind that while you have the right to communicate about your wages, your employer may have lawful policies against using their equipment — like work laptops — to have the discussion. Protect yourself by understanding your company’s policy before sending a rallying Slack message.
And always do your research before accepting a contract. Sites like Glassdoor, Levels and Clara offer this data for free.
You can also search sites like TikTok and YouTube to get deep insights about pay. There are many creators who, like me, are open about what they’ve been paid at previous companies — down to stock offerings and sign-on bonuses, and who share information about company cultures overall.
I also created a spreadsheet for people to share their titles and salaries alongside important demographic information I’ve seen left out on other databases, like gender, age and diverse identity fields. So far, it has over 62,000 entries.
Click here to read the full article on CNBC.
By Girl Talk HQ
For all of us coffee drinkers, we’re used to getting up in the morning, reaching for our favorite mug, and pouring ourselves a cup of joe without giving a second thought to where our grinds originated from. We need the caffeine to kickstart our day, and then we’re on our way!
But what if we told you there was a brand of coffee that takes great care to share with its customers where the coffee is sourced from and how it is made, making it part of their brand identity? That brand is Casa Dos Chicas Café, founded by accountants and mothers Ana Ocansey-Jimenez and Oneida Franco.
These two finance experts turned coffee connoisseurs have added “Entrepreneur” to their list of powerful titles as the founders of Casa Dos Chicas Café, a brand of The Whole Kitchen, which was also founded by the Latina duo.
Casa Dos Chicas Café offers organic, single-origin, specialty coffees sourced mainly from small, family-owned farms or multi-family cooperatives across Latin America and the Caribbean including the Dominican Republic, Mexico, Colombia, and Peru. Through Casa Dos Chicas Café, they are dedicated to celebrating Latin American heritage while promoting equitable, sustainable practices along the entire coffee supply chain.
We loved the sound of this company (and it made us immediately want to drink a good cup of coffee!) so we had the chance to speak with both Oneida and Ana about the origins of the business, how they are working to lift other Latinas in the business world, and why representation is important to them.
How did you two first meet and decide to go on this entrepreneurship journey together?
We met in New York City while working together in corporate accounting. We hit it off and quickly became friends! Soon enough we began a tradition of drinking Cuban cafecito in the breakroom during the afternoons which continued for the next 4.5 years.
We decided to embark on this entrepreneurship journey when we saw how we could impact people’s lives while fulfilling our own. Ana put our first financial model together and we said “Let’s do this!”
Can you tell us where the idea for Casa Dos Chicas Café came from, and where your love of coffee originated?
The idea of Casa Dos Chicas Café was nurtured through the building of our friendship, sharing our cultures through foods, and drinking cafecito during our time at work. We even purchased an electric greca/moka pot to make the afternoon brews, which we still have and will soon be framed.
We went our separate ways as we continued to develop our careers but stayed in touch. We would continue to see each other often for lunch and would of course enjoy our coffee and dream of the future. The love of coffee came from our families tradition, we have countless stories that our Dominican and Mexican parents shared with us and we now share with each other.
Ana had been taking different coffee courses and learning as much about specialty coffee as possible. Through that we made great connections with people throughout the supply chain. We saw the inequalities throughout it and decided we wanted to influence and do our part. This along with showing people how the third wave of coffee is changing the coffee scene, we saw a gap where we could educate on what specialty coffee is, why it is special, and how they too can have it and enjoy it.
This new venture is part of The Whole Kitchen brand. Why is expansion important to your business, and why should all entrepreneurs keep expansion in mind as they climb the ladder of success?
The Whole Kitchen is the mother company and it was a concept that Oneida had been developing since her daughter was 2. We loved it!
Change is good and growth is natural. It is not easy, but it is important to always strive to grow and expand because if not the business will begin to fizzle and can die. Growth does not necessarily mean just the revenue line, it comes in various places, from impact, knowledge, the service getting better towards the customer, using technology better. There is always room to grow.
We were only able to host one The Whole Kitchen event because COVID hit. We had to hold and that is when our focus shifted in launching Casa Dos Chicas Café as a brand of TWK. Expansion is important, but knowing when to pivot if something is not quite going as planned with what you are doing is vital. Planning ahead and having a vision is imperative. What are some of the cultural traditions you are both bringing to CDCC and excited to share with customers?
We have many things brewing (pun intended)! One of them is bringing back traditional Latin American ways to prepare coffee – of course you will see Mexico and Dominican Republic first. We partnered with Colamo Café, an artist from DR that makes the most beautiful traditional cafeteras. We will have our collaboration for sale soon on our site.
Through our work and offerings, we are highlighting at-home coffee preparation methods and the attentive cultural traditions that our mothers, tias (aunts), and grandmothers taught us when it comes to serving our guests. We are bringing back the moment of simply pausing during the afternoon while having a cup of coffee. The western culture often leaves us tired after a long day with no opportunity to simply sit down and have a conversation along with a cup of coffee.
Click here to read the full article on Girl Talk HQ.
By Suzanne Gamboa, NBC News
Two Mexican Americans who have dedicated their lives to fighting for equality and the advancement of Latinos were awarded the Presidential Medal of Freedom, the nation’s highest civilian honor, at the White House on Thursday.
Raúl Yzaguirre is the founder and former leader of the National Council of La Raza, considered the nation’s largest Hispanic civil rights and advocacy group, renamed UnidosUS, and Julieta García is a former president of the University of Texas at Brownsville — the first Latina to serve as a U.S. university president.
Born a decade apart in the Rio Grande Valley, Yzaguirre and García took lessons from their upbringings in the South Texas region to achieve positions of power, which they then used to dismantle discrimination and fight for the advancement of Latinos and other people of color.
Yzaguirre, 82, born in San Juan, Texas, took a small organization with about $500,000 and 23 affiliates and grew it into a formidable one with a $40 million budget and 250 affiliates.
The group helped shape policy on immigration, education, voting rights and more. Yzaguirre stepped down in 2004, after 30 years at its helm.
He also served as the ambassador to the Dominican Republic under President Barack Obama.
García, 73, born in Brownsville, Texas, was president of UT-Brownsville and helped oversee its merger with University of Texas Pan American to become UT-Rio Grande Valley, which serves mostly Latinos. She fought for money from the state’s Permanent University Fund, which holds 2.1 million acres and revenue from oil and gas leases on the land, to create the university.
UT-Rio Grande Valley is ranked in the top three schools awarding bachelor’s degrees to Latinos.
Yzaguirre and García are among 17 people awarded the medal Thursday by President Joe Biden. Among the honorees are former Rep. Gabby Giffords, D-Ariz.; Olympic gymnast Simone Biles; U.S. soccer player Megan Rapinoe; the actor Denzel Washington; and posthumously, Sen. John McCain, R-Ariz., and Steve Jobs, the co-founder of Apple.
Yzaguirre’s work with UnidosUS rested heavily on bringing together the nation’s increasingly diverse Latino population to forge a stronger political force that could command the attention of Washington power brokers. The 2020 census counted 62 million Latinos in the U.S.
“What Raúl doesn’t get enough recognition for is how much of a visionary he was,” said Lisa Navarette, who worked with Yzaguirre and now is an adviser to UnidosUS President Janet Murguía.
“In the early ’70s he was already envisioning what would become the Latino community,” Navarrete said.
Yzaguirre was raised by his grandparents and was heavily influenced by his grandfather’s own story of nearly being lynched by Texas Rangers when he was out past a curfew imposed by the state on Mexican Americans and Mexicans at the time, according to a 2016 biography, “Raul H. Yzaguirre: Seated at the Table of Power,” by Stella Pope Duarte.
Yzaguirre was a protégé of the civil rights leader Dr. Hector P. García, a Mexican American physician who formed the civil rights group American GI Forum after witnessing mistreatment of Mexican American World War II veterans. Navarette said García helped Yzaguirre channel his anger over discrimination into activism.
Yzaguirre’s work in Washington continues to have an impact. Charles Kamasaki, a senior adviser at UnidosUS, recalled Yzaguirre deciding to agree to compromise on what became the Immigration Reform and Control Act of 1986. He didn’t like the enforcement levels in the bill and had worked to improve it until finally agreeing to a compromise in 1986, giving about 3 million immigrants without legal status in the U.S. a chance to become lawful permanent residents.
Yzaguirre helped produce a scathing report on the Smithsonian Institution’s failure to serve and hire Latinos, a report that was instrumental in last year’s approval of a National Museum of the American Latino.
His tenure was also marked by clashes with administrations. He quit a commission on education and Hispanics in the 1990s in frustration over its partisanship and delays and picketed President Lyndon B. Johnson’s administration over its lack of Hispanics.
Click here to read the full article on NBC News.
By Génesis Miranda Miramontes, NBC Los Angeles
Who can forget the smell of a Saturday spent cleaning, as the sound of music blasted in the background: the smell that filled the air and made you get up knowing you would have to grab a broom and help out?
Or perhaps you recall the smell of hot chocolate and pan dulce as you sat around the table hearing your comadre’s latest chisme.
What if you can relive those memories by lighting a candle in your room? While you fold that pile of laundry you’ve been putting off.
Marcella Gomez, a mother, nurse and cancer survivor from Downey is the founder of Oh Comadre Candles, a Latina-owned business that quite literally captures those memories in a candle.
“Oh Comadre Candles celebrate life through a Latina’s eye. The candles are intended to evoke emotion, comfort, memory, or even a laugh,” Gomez said.
Gomez started her business online in 2014 as a form of therapy, and time away from the nursing job she had at the time. It was a way for her to disconnect from the stress of a work day and help distract her, she explains.
In October of 2020, Gomez was diagnosed with breast cancer. She has since received treatment and has been in remission.
She says she would like her story to be an example of the importance of taking care of your health and seeing your doctor.
“Take care of yourself like we take care of others,” Gomez said. “If your best friend told you they found a lump, you would drop everything and help your good friend seek medical attention. Why not do the same for yourself?”
Since starting her business, Gomez has gained over 76,000 followers on Instagram and has recently opened her first storefront in Downey a couple of months ago.
“I have nothing but gratitude for anyone taking the time to walk through our door. It’s an awesome feeling that any small business can relate,” Gomez said. “I couldn’t believe the amount of support the shop recieved. I still can’t believe it. Someone please pinch me.”
Gomez says it was a long process to find the right formula for her candles. Then in 2016 she received her first online order.
“I could not believe someone purchased it from me. I thought it was a joke because the order came on my birthday. Fortunately, it was the first of many orders to come,” Gomez said.
Most Latinos can relate to the scents of Fabuloso, Vaporub, Pan Dulce, Abuelita Hot Chocolate, Horchata, and even Jabon Zote.
These are the scents of childhood and the day to day that bring happiness and can now be enjoyed in your sala.
Click here to read the full article on NBC Los Angeles.
By Kaya Laterman, The New York Times
In 2019, Sandra Velasquez, a longtime musician most recently with the band Pistolera, visited her family in California and realized that she needed to make a change.
There, she learned how to make soap. The recipes called for aloe vera, which she didn’t have. But her mother’s yard had plenty of nopal, a type of cactus that is also a common ingredient in Mexican cuisine. She replaced the aloe vera with nopal and was pleased with the results.
That was when Ms. Velasquez had a light bulb moment: She would start a cactus-based natural botanicals company.
“It always bothered me that there aren’t any high-end Mexican beauty products,” she said, especially considering that the latest census figures show there are 62 million Hispanic or Latino residents in the country.
She started Nopalera right before the pandemic, basing operations out of her Brooklyn home. Now her balms, exfoliants and soaps are carried in independent boutiques as well as in Nordstrom.
Ms. Velasquez, 45, lives in Kensington, Brooklyn, with her 14-year-old daughter and her partner, Sean Dixon, 45, a musician.
STRETCH, BERRIES I wake up naturally around 8 a.m. I try to warm up my body with a quick stretch, like five to 10 minutes, or whatever my trainer has taught me. Recently I’ve tried to focus on eating a healthy breakfast, nothing big, like oatmeal and berries. I’m trying to have a better morning routine, because in the past, I didn’t eat a good breakfast and I was tired all day. Like I would check emails first and then eat something and I can’t do that anymore. For the past four months, I’ve been trying to turn myself around and be on a path of good energy and brainpower.
QUICK CLEANUP I like to straighten out the house on Sunday. I don’t do a deep clean, but just want to get things out of the way. It feels better to prep the house and make it look decent.
CLARITY If it’s a nice day, I’ll go take a walk. Sometimes I wander my neighborhood or go to Green-Wood Cemetery since it’s so close. Since the pandemic, the cemetery opened up its gates near me every day, so that’s been great. It’s quiet there, with hardly any people. Usually, I’m out for about 30 minutes to an hour. Sometimes I walk and talk and record notes on my phone, but mostly I get clarity by staring at the trees.
MARKET-READY My business has expanded so quickly that I’m at the point where I need new capital so I can buy inventory. The good news is that some investors have now come to me, but they’re always asking for additional and updated information so I have to work on my pitch deck all the time.
SUCCESS SQUAD I then text with my C.E.O. squad, which involves several minority women I met during a seminar for entrepreneurs. I need to surround myself with other people in the same boat. They’re all badasses and we’re each other’s listening board. We live in different places so we’re starting to meet every few months and treat it like a retreat. The next one should be in Colorado. I’m so glad I found my “Success Squad.” They’re incredible women who keep me going.
INSIDER INFO Then I work on my newsletter. It’s for anyone who wants to know how to start a business with $1,000. I didn’t go to business school, and there are plenty of minorities, especially Latinas, that need to know how capitalism works. I have no secrets. I will let you know how I grew my business, what mistakes I made, and what I wished I knew. It’s giving people access to information, and there’s so much to tell.
TOURIST FOR THE DAY It’s time to get out of the house! I’m trying to be a tourist in my own city. I will pick a random place to go, like the Metropolitan Museum of Art, because I can and I should visit it. Recently I went to Governors Island with my partner, Sean. We strolled around and took in the view. Then we had noodles for dinner in Chinatown.
PORCH DRINKS Back home in the evening, it’s time to lounge and unwind. Sometimes, I’ll have drinks on my porch; other times I watch a movie. I write in my journal and plan out my coming week. I have a “No Meeting Monday” policy at my company so I take a look at what I can get done the next day before all my meetings start on Tuesday. It’s really astonishing how I was a musician and a night owl for many years, because now it’s lights out around 10 p.m.
Click here to read the full article in The New York Times.
By Tess Garcia, Refinery 29
Like many immigrants, Latines have a complicated history with secondhand shopping. Some of us grew up parsing through thrift stores out of necessity. Others were raised to avoid them at all costs, viewing shiny, new things as symbols of success. In recent years, an alternative school of thought has emerged from both ends of the spectrum: more and more, Latine shoppers of all class backgrounds are embracing pre-owned clothing for its prices as well as sustainability and style points.
“Growing up first-generation in a super white community, I couldn’t comfortably sit in one group or the other. I used clothes to express myself,” Mexican-American Isabel Robles tells Refinery29 Somos. Upon entering her teen years, this meant exploring the once-taboo worlds of thrift and consignment stores. “As I grew up, I grew more comfortable with my individuality, and shopping vintage and secondhand gave me the opportunity to pull pieces and style myself differently from everyone else.”
Others, like Moises Mendez II, shop secondhand as a way to honor their elders’ values. “My mom, who is from the Dominican Republic, is the biggest believer in ‘if you can get it for cheaper, why not?’ She also does her best to be environmentally conscious,” he explains. “Because I saw those two things growing up, they’ve been instilled in me, and I feel like I’m fulfilling them by shopping secondhand.”
No matter your motives for buying secondhand, it’s also a great way to support Latine entrepreneurs. Below, we’ve rounded up seven Latina-owned vintage and thrift stores that will change the way you shop. Keep reading to learn how each founder got their start, how they feel about sustainable shopping trends, and more.
Click here to read the full article on Refinery 29.
By Jackie Wattles, CNN
A rocket built by Jeff Bezos’ Blue Origin carried its fifth group of passengers to the edge of space, including the first-ever Mexican-born woman to make such a journey.
The 60-foot-tall suborbital rocket took off from Blue Origin’s facilities in West Texas at 9:26am ET, vaulting a group of six people to more than 62 miles above the Earth’s surface — which is widely deemed to make the boundary of outer space — and giving them a few minutes of weightlessness before parachuting to landing.
Most of the passengers paid an undisclosed sum for their seats. But Katya Echazarreta, an engineer and science communicator from Guadalajara, Mexico, was selected by a nonprofit called Space for Humanity to join this mission from a pool of thousands of applicants. The organization’s goal is to send “exceptional leaders” to space and allow them to experience the overview effect, a phenomenon frequently reported by astronauts who say that viewing the Earth from space give them a profound shift in perspective.
Echazarreta told CNN Business that she experienced that overview effect “in my own way.”
“Looking down and seeing how everyone is down there, all of our past, all of our mistakes, all of our obstacles, everything — everything is there,” she said. “And the only thing I could think of when I came back down was that I need people to see this. I need Latinas to see this. And I think that it just completely reinforced my mission to continue getting primarily women and people of color up to space and doing whatever it is they want to do.”
Echazarreta is the first Mexican-born woman to travel to space and the second Mexican after Rodolfo Neri Vela, a scientist who joined one of NASA’s Space Shuttle missions in 1985.
She moved to the United States with her family at the age of seven, and she recalls being overwhelmed in a new place where she didn’t speak the language, and a teacher warned her she might have to be held back.
“It just really fueled me and I think ever since then, ever since the third grade, I kind of just went off and have not stopped,” Echazarreta recalled in an Instagram interview.
When she was 17 and 18, Echazarreta said she was also the main breadwinner for her family on a McDonald’s salary.
“I had sometimes up to four [jobs] at the same time, just to try to get through college because it was really important for me,” she said.
These days, Echazarreta is working on her master’s degree in engineering at Johns Hopkins University. She previously worked at NASA’s famed Jet Propulsion Laboratory in California. She also boasts a following of more than 330,000 users on TikTok, hosts a science-focused YouTube series and is a presenter on the weekend CBS show “Mission Unstoppable.”
Space for Humanity — which was founded in 2017 by Dylan Taylor, a space investor who recently joined a Blue Origin flight himself — chose her for her impressive contributions. “We were looking for some like people who were leaders in their communities, who have a sphere of influence; people who are doing really great work in the world already, and people who are passionate about whatever that is,” Rachel Lyons, the nonprofit’s executive director, told CNN Business.
Click here to read the full article on CNN.