‘We Are Not The Footnote’: In Photos, Reynaldo Rivera Evokes L.A.’s Queer Latino Bohemia

Reynaldo Rivera didn’t pick up a camera with the intention of making art. The Yashica he retrieved from a pile of his father’s things was a way of bringing order to a peripatetic life that had him bouncing between the care of his mother, his grandmother and his father, between Mexicali and Los Angeles, between Stockton and San Diego de la Unión, a small, agricultural outpost in the central Mexican state of Guanajuato.

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